domingo 27 junio 2021 | 18:00 |
miércoles 30 junio 2021 | 19:00 |
sábado 03 julio 2021 | 18:30 |
martes 06 julio 2021 | 20:00 |
viernes 09 julio 2021 | 19:00 |
Verdi, Giuseppe (1813-1901) | Don Carlo |
Zurich Opera | |||
Sir Mark Elder | Director | ||
Sven-Eric Bechtolf | Director de escena | ||
Rolf Glittenberg | Diseño de escena | ||
Marianne Glittenberg | Diseño de vestuario | ||
Vitalij Kowaljow | Bajo | Filippo II | |
Marcelo Álvarez | Tenor | Don Carlo | |
Sir Simon Keenlyside | Barítono | Rodrigo, Marchese di Posa | jun 27, 30, jul 03 |
Ludovic Tézier | Barítono | Rodrigo, Marchese di Posa | jul 06, 09 |
Wenwei Zhang | Bajo | Il Grande Inquisitore | |
Tatiana Serjan | Soprano | Elisabetta di Valois | |
Ekaterina Semenchuk | Mezzosoprano | La Principessa Eboli | |
Ildo Song | Bajo | Un frate | |
Yulia Zasimova | Soprano | Tebaldo | |
Savelii Andreev | Tenor | Il Conte di Lerma | |
Sen Guo | Soprano | Una voce dal cielo | |
Vladyslav Tlushch | Barítono | Deputati fiamminghi | |
Oleg Davydof | Bajo | Deputati fiamminghi | |
Andrew Moore | Bajo | Deputati fiamminghi | |
Yuriy Hadzetskyy | Barítono | Deputati fiamminghi | |
Xiaomeng Zhang | Barítono | Deputati fiamminghi | |
Ilya Altukhov | Barítono | Deputati fiamminghi | |
Jürgen Hoffmann | Diseño de iluminación | ||
Janko Kastelic | Director del coro | ||
Zusatzchor der Oper Zürich | |||
Zurich Opera Chorus | |||
Philharmonia Zürich |
An exciting cast of singers unites for this revival under the direction of British conductor Mark Elder: Tatiana Serjan, who thrilled audiences at the Opernhaus Zürich as Lady Macbeth, will bow as Elisabetta di Valois, and Marcelo Álvarez and Simon Keenlyside return as Don Carlo und Marquis Posa. Alternating with Keenlyside is renowned baritone Ludovic Tézier, who will make his first appearances at the Opernhaus Zürich. Russian mezzo-soprano Ekaterina Semenchuk will also make her debut at the Opernhaus, appearing as Prinzessin Eboli, and bass Vitalij Kowaljow will sing Filippo II. Major political power and the private pursuit of happiness are ominously linked in this final Schiller setting by Giuseppe Verdi. Newly in love, the Spanish infante Carlos and the French king’s daughter Elisabeth von Valois learn that King Philipp II wants Elisabeth to himself – which would make her the stepmother of his son Carlos. In order to help him get over his ill-fated love affair, Marquis Posa tries to convince him to join the fight for freedom in the province of Flanders. Princess Eboli, who denounces Elisabeth to the king out of disenchanted love for Carlos, contributes to the tragic ending just as much as the brutal actions of the Inquisition.

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