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Don Giovanni

Estates Theatre (Stavovské divadlo)Železná, Staré Město, Praga, Central Bohemian Region, 110 00, República Checa
Fechas/horas en zona horaria de Prague
sábado 06 septiembre 202519:00
miércoles 10 septiembre 202519:00
sábado 27 septiembre 202518:00
miércoles 01 octubre 202519:00
viernes 31 octubre 202519:00
miércoles 05 noviembre 202519:00
sábado 22 noviembre 202518:00
domingo 03 mayo 202617:00
sábado 09 mayo 202619:00
miércoles 03 junio 202619:00
Programa
Mozart, Wolfgang Amadeus (1756-1791)Don GiovanniLibreto de Lorenzo Da Ponte
Intérpretes
Prague National Theatre Opera
Zbyněk MüllerDirección
Alexander Mørk-EidemDirección de escena
Christian FriedländerDiseño de escena
Jenny LjungbergDiseño de vestuario
Ellen RugeDiseño de iluminación
Prague National Theatre Orchestra
Prague National Theatre Chorus
Ondřej HučínDramaturgia
Prague National Theatre Opera Ballet
Pavel VaněkDirección de coro
Pavel BurdaMandolina
Michal TrnkaMandolina
Lucie PirochováHammerklavier
Martin LevickýHammerklavier
Pavol KubáňBarítonoDon Giovanni
Jiří BrücklerBarítonoDon Giovanni
Miloš HorákBajo-barítonoLeporello
Pavel ŠvingrBajoLeporello
Jana SiberaSopranoDonna Anna
Zuzana MarkováSopranoDonna Anna
Markéta KlaudováSopranoDonna Elvira
Alžběta PoláčkováSopranoDonna Elvira
Michaela ZajmiMezzosopranoDonna Elvira
Kateřina KněžíkováSopranoDonna Elvira
Lenka MáčikováSopranoZerlina
Doubravka NovotnáSopranoZerlina
Zdeněk PlechBajoThe Commendatore
František ZahradníčekBajoThe Commendatore
Petr NekoranecTenorDon Ottavio
Richard SamekTenorDon Ottavio
Daniel MatoušekTenorDon Ottavio
Lukáš BařákBajo-barítonoMasetto
Michal OnuferBajoMasetto

And if we were to name the places at which Mozart in person premiered an opera of his and which still function as theatres, the one and only candidate in the world would be the Estates Theatre in Prague. The National Theatre Opera has proudly cherished this unique tradition for decades.

Our current production of Don Giovanni is actually the very first National Theatre adaptation by a non-Czech director of the world-famous “opera of operas” Mozart wrote for Prague. It was created by the Swedish-Norwegian stage director Alexander Mørk-Eidem in tandem with the German conductor and Mozart specialist Karsten Januschke. They were duly afforded wide scope for the portrayal of the world-famous profligate, who so easily magnetises women and wins their hearts. Is Giovanni an incorrigible slave to his instincts, or is he a provocateur, rebel, revolutionary even, human and symbol, or is he a mere catalyst around whom Mozart thoroughly depicts the constantly changing universe of female emotions? To what degree will the current Don Giovanni at the Estates Theatre break with tradition in this regard?

Críticas de Don Giovanni, K527 dirigida por Alexander Mørk-Eidem

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