sábado 15 noviembre 2025 | 17:00 |
domingo 16 noviembre 2025 | 11:00 |
martes 18 noviembre 2025 | 17:00 |
jueves 20 noviembre 2025 | 17:00 |
Wagner, Richard (1813-1883) | Lohengrin |
Hungarian State Opera | ||
Martin Rajna | Dirección | |
András Almási-Toth | Dirección de escena | |
Sebastian Hannak | Diseño de escena, Diseño de iluminación | |
Krisztina Lisztopád | Diseño de vestuario | |
Hungarian State Opera Orchestra | ||
Hungarian State Opera Chorus | ||
Eszter Lázár | Movimiento | |
Gábor Csiki | Dirección de coro | |
Christopher Sokolowski | Tenor | Lohengrin |
Szabolcs Brickner | Tenor | Lohengrin |
Judit Kutasi | Mezzosoprano | Ortrud |
Szilvia Rálik | Soprano | Ortrud |
Derek Welton | Bajo | Heinrich der Vogler |
Péter Fried | Bajo | Heinrich der Vogler |
Egils Siliņš | Barítono | Friedrich von Telramund |
Károly Szemerédy | Barítono | Friedrich von Telramund |
Johanni van Oostrum | Soprano | Elsa von Brabant |
Klára Kolonits | Soprano | Elsa von Brabant |
Kostas Smoriginas | Bajo-barítono | The King's Herald |
Bence Pataki | Bajo | The King's Herald |
Had Richard Wagner lived in the 20th century, he might have been one of the most brilliant filmmakers – one might think so based on his opera: Lohengrin, the mysterious knight and guardian of the Holy Grail, arrives in Antwerp disguised, in a boat drawn by a swan, to save the beautiful Elsa accused of murder. On the condition that she is never inquisitive about his identity, Lohengrin marries her. However, after their wedding, the defeated Ortrud’s manipulations fuel Elsa’s curiosity about her husband’s true identity – leading to its eventual revelation. As a result, Lohengrin returns to the temple of the Holy Grail…
Wagner’s cinematic world is not far from the OPERA’s new production of Lohengrin. In András Almási-Tóth’s staging, a setting emerges that begins in 19th-century romanticism and evokes futuristic, steampunk films, highlighting the irreconcilable contrasts between good and evil, dream and reality, and the fundamentally opposing world-views of Lohengrin and society – where emerging victorious, or even happy, is practically impossible.