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Intérprete: Elīna Garanča

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ÁmsterdamA night at the opera with Elīna Garanča

© Holger Hage
Verdi, Cilea
Deutsche Staatsphilharmonie Rheinland-Pfalz; Karel Mark Chichon; Elīna Garanča

Nueva YorkLa Damnation de Faust

Berlioz: La Damnation de Faust
Edward Gardner; Robert Lepage; Metropolitan Opera; Carl Fillion; Karin Erskine; Bryan Hymel; Michael Spyres

MúnichDon Carlo(s)

Don Carlo(s)
Verdi: Don Carlo
Andrea Battistoni; Jürgen Rose; Bayerische Staatsoper; Ildar Abdrazakov; Charles Castronovo

ParísElīna Garanča

Various: Arias from Opera
Deutsche Staatsphilharmonie Rheinland-Pfalz; Karel Mark Chichon; Elīna Garanča

BerlínSamson et DalilaNew production

Saint-Saëns: Samson et Dalila
Daniel Barenboim; Damián Szifron; Staatsoper Berlin; Thomas Guggeis; Etienne Pluss; Gesine Völlm; Brandon Jovanovich
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Nézet-Séguin and Met Orchestra offer compelling Mahler and Bruckner

Elīna Garanča and Yannick Nézet-Séguin © Steve J. Sherman
The Met Orchestra’s closing performance of the season saw Yannick Nézet-Séguin lead the ensemble in Mahler’s Rückert-Lieder with Elīna Garanča and an arresting Bruckner's Seventh Symphony.

Wenn Erwartungen übererfüllt werden: Cav & Pag in Wien

Cavalleria rusticana: Elīna Garanča (Santuzza) © Michael Pöhn | Wiener Staatsoper GmbH
Elīna Garanča gibt als Santuzza ein beeindruckend gefühlvolles Wiener Rollendebüt.

Crushed velvet: Elīna Garanča holds Wigmore Hall spellbound

Elīna Garanča © Holger Hage | DG
With Malcolm Martineau, the Latvian mezzo delivered poise and polish and transcendent Rückert Lieder

A chiaroscuro-free, shiny Samson et Dalila at The Met

Elīna Garanča (Dalila) © Ken Howard | Metropolitan Opera
The Met's new season opens with a new Samson et Dalila only marginally more trashy than Saint-Saëns’ peculiar brand of kitschy orientalism.

Vocal wonder: Elīna Garanča's Mahler with the Vienna Phil

Elīna Garanča © Karina Schwarz | DG
...the perpetuum mobile character building to a raucously joyous finale that elicited genuine, generous applause.