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Música clásica, ópera, ballet y danza en Milán, Italia

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

Próximos eventosVer más...

MilánAntonio Mormone International Prize - Final round

Unknown, Beethoven, Fedele
Finalists of the Antonio Mormone International Prize, Piano

MilánAntonio Mormone International Prize - Final round

Unknown, Beethoven, Fedele
Finalists of the Antonio Mormone International Prize, Piano

MilánAntonio Mormone International Prize - Final round

Unknown: to be announced
Winner of the Antonio Mormone International Prize, Piano

MilánGünther Groissböck

Brahms, Schumann, Tchaikovsky, Rachmaninov
Günther Groissböck; Gerold Huber

MilánDvořák, Stravinsky

Dvořák, Stravinsky
Orchestra Sinfonica di Milano Giuseppe Verdi; Hannu Lintu; Giovanni Sollima

MilánDie tote StadtNew Production

Die Tote Stadt, Teatro alla Scala © Brescia/Amisano | Teatro alla Scala
Korngold: Die tote Stadt (The Dead City)
Alan Gilbert; Graham Vick; Teatro alla Scala; Stuart Nunn; Klaus Florian Vogt; Asmik Grigorian
Últimas críticasVer más...

Korngold's Die tote Stadt at La Scala for the first time: a triumph

Die Tote Stadt, Teatro alla Scala © Brescia/Amisano | Teatro alla Scala
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.

Ariadne in Milan: the director cannot find the thread

Ariadne auf Naxos © Brescia/Amisano | Teatro alla Scala
Frederic Wake-Walker sticks to a vapid pop-parody that demeans the intellectual message of Strauss' Ariadne auf Naxos.

Fluctuating around Virginia's tissues of the mind

Alessandra Ferri in I now/ I then © Brescia & Amisano | Teatro alla Scala
Alessandra Ferri, the former La Scala Prima Ballerina Assoluta, makes her triumphant return to Milan as the moving incarnation of Virginia Woolf in Wayne McGregor's most mature, complete and striking piece to date.

Gardner and Levit invigorate the Filarmonica della Scala

Edward Gardner © Benjamin Ealovega
Edward Gardner clearly has a thing for the Czechs. A month after he made his Royal Opera main-stage debut with Janáček's Katya Kabanova, here he was with the Filarmonica della Scala to conduct a strongly Czech programme.

Gergiev conducts a grandiose Khovanshchina at La Scala

Evgenia Muraveva (Emma) and Mikhail Petrenko (Khovansky) © Marco Brescia & Rudy Amisano | Teatro alla Scala
In Khovanshchina, even more so than in Boris Godunov, the chorus is the chief protagonist and the La Scala chorus was truly astonishing.

Elegance and finesse: Marianne Crebassa in recital at La Scala

Marianne Crebassa © Simon Fowler | Warner Classics
The performance of the young French mezzo-soprano was admired more for its correctness than for its seductiveness.