Rimsky-Korsakov y Stravinsky: maestro y discípulo

Vasily Petrenko

Vladimir Jurowski

Tamara Karsavina y Mikhail Fokine en The Firebird (1910)

Por Mark Pullinger, 23 marzo 2021

Descargando, espere, por favor...

“Rimsky se ganó el derecho a ser radical… Stravinsky se propuso ser radical desde el principio”

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.