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Aida

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
sábado 24 enero 202618:00
domingo 25 enero 202611:00
martes 27 enero 202618:00
miércoles 28 enero 202618:00
viernes 30 enero 202618:00
sábado 31 enero 202618:00
domingo 01 febrero 202611:00
Programa
Verdi, Giuseppe (1813-1901)AidaLibreto de Antonio Ghislanzoni
Intérpretes
Hungarian State Opera
Martin RajnaDirección
János MohácsiDirección de escena
Khell ZsoltDiseño de escena
Kriszta RemeteDiseño de vestuario
Hungarian State Opera Orchestra
Enikő PerczelDramaturgia
Johanna BodorCoreografía
Tünde VinczeCircus expert, choreographer
Hungarian State Opera Chorus
Gábor CsikiDirección de coro
Eszter SümegiSopranoAida
Csilla BorossSopranoAida
Ildikó KomlósiMezzosopranoAmneris
Erika GálMezzosopranoAmneris
Boldizsár LászlóTenorRadamès
Adorján PatakiTenorRadamès
Mihály KálmándyBarítonoAmonasro
Alexandru AgacheBarítonoAmonasro
Melinda HeiterMezzosopranoPriestess
Barna BartosTenorA messenger
Krisztián CserBajoKing of Egypt
Géza GáborBajoRamfis

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The story of the opera is a product of war: not only in its writing, but on the stage as well. The sounds of war resonate throughout the tale of the captive Ethiopian princess and king, and the Egyptian commander brought down by and for love. Although Egypt wins a pyrrhic victory, this triumph desired by so many brings ruin to all who wished for it.

This is a story about war, a topic as old as man and which will continue as long as our species. War chooses life or death for millions, divides families and lovers, and permeates warring countries and their people of every order and rank, from pharaoh to slave. 

But there is one thing that can never be vanquished: the purity of the soul.

Críticas de Aida dirigida por János Mohácsi

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