viernes 19 diciembre 2025 | 19:00 |
lunes 22 diciembre 2025 | 19:00 |
jueves 25 diciembre 2025 | 16:00 |
viernes 02 enero 2026 | 19:00 |
sábado 10 enero 2026 | 19:00 |
domingo 18 enero 2026 | 18:00 |
Mozart, Wolfgang Amadeus (1756-1791) | Don Giovanni | Libreto de Lorenzo Da Ponte |
Mozart, Wolfgang Amadeus (1756-1791) | Réquiem en re menor, K626 |
Komische Oper Berlin | |||
Sasha Yankevych | Dirección | ||
Kirill Serebrennikov | Dirección de escena, Diseño de escena, Diseño de vestuario | ||
Olga Pavlyuk | Diseño de escena | ||
Tatyana Dolmatovskaya | Diseño de vestuario | ||
Olaf Freese | Diseño de iluminación | ||
Orchester der Komischen Oper Berlin | |||
Chorsolisten der Komischen Oper Berlin | |||
Sophia Jira | Dramaturgia | ||
Ilya Shagalov | Videoarte | ||
David Cavelius | Dirección de coro | ||
Evgeny Kulagin | Coreografía | ||
Virginie Verrez | Mezzosoprano | ||
Susan Zarrabi | Mezzosoprano | ||
Kyle Miller | Barítono | Don Giovanni | dic 19, 22, 25, 2026 ene 02, 10 |
Hubert Zapiór | Barítono | Don Giovanni | 2026 ene 18 |
Kseniia Proshina | Soprano | Donna Anna | |
Tommaso Barea | Bajo-barítono | Leporello | |
Bruno de Sá | Contratenor | Donna Elvira | |
Penny Sofroniadou | Soprano | Zerlina | |
Andrew Harris | Bajo | The Commendatore | |
Agustín Gómez | Tenor | Don Ottavio | |
Philipp Meierhöfer | Bajo | Masetto |
Don Giovanni knows what he wants, how to get it and how to throw an outrageously decadent party. Servant Leporello groans under the seductive arts of his master, as he has to pay for everything afterwards. When Don Giovanni murders the Commendatore in a duel for the honor of his daughter Donna Anna, Leporello has had enough. Don Giovanni likes to seduce, trick and gamble for his life, until he suddenly has to face death young and wild ...
Sex, drugs and Viennese classical music - that was the motto of the congenial duo Mozart and Da Ponte. Similar to his hot-blooded opera hero, the young wild Mozart also met an early feverish death: he died at the age of 35 while working on his Requiem.
At the Schillertheater, Kirill Serebrennikov completes his Mozart-Da Ponte cycle with what is probably the most abysmal of the three comic operas. In his fearless approach to the masterpiece, Serebrennikov depicts the bon vivant's offbeat amusements as preparations for the afterlife and follows Don Giovanni's journey to hell with Mozart's requiem mass.
