Ver on-line en liceuplus.comLiceu+LIVEGrabado en Gran Teatre del Liceu: Sala, Barcelona, España
On demand until jueves 31 agosto 2023 23:59
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Dates/times in your browser's time zone
| jueves 01 diciembre 2022 | 19:00 |
Programa
| Puccini, Giacomo (1858-1924) | Il tabarro | Libreto de Giuseppe Adami |
| Puccini, Giacomo (1858-1924) | Suor Angelica | Libreto de Giovacchino Forzano |
| Puccini, Giacomo (1858-1924) | Gianni Schicchi | Libreto de Giovacchino Forzano |
Intérpretes
| Gran Teatre del Liceu | ||
| Susanna Mälkki | Director | |
| Lotte de Beer | Director de escena | |
| Bernhard Hammer | Diseño de escena | |
| Jorine van Beek | Diseño de vestuario | |
| Alex Brok | Diseño de iluminación | |
| Orquesta Sinfónica del Gran Teatre del Liceu | ||
| Coro del Gran Teatre del Liceu | ||
| Ambrogio Maestri | Barítono | Michele, Gianni Schicchi |
| Lise Davidsen | Soprano | Giorgetta |
| Brandon Jovanovich | Tenor | Luigi |
| Pablo García-López | Tenor | Tinca |
| Valeriano Lanchas | Bajo | Talpa |
| Mireia Pintó | Mezzosoprano | La Frugola, La suora zelatrice (The Monitress), La Ciesca |
| Marc Sala | Tenor | Song Vendor (The seller of songs), Gherardo |
| Iván Ayón Rivas | Tenor | A lover (tenor), Rinuccio |
| Ruth Iniesta | Soprano | A lover (soprano), Lauretta |
| Ermonela Jaho | Soprano | Suor Angelica |
| Daniela Barcellona | Mezzosoprano | La zia principessa (Aunt Princess), Zita |
| María Luisa Corbacho | Mezzosoprano | La badessa (The Abbess) |
| Marta Infante | Mezzosoprano | La maestra delle novizie (Mistress of the novices) |
| Mercedes Gancedo | Mezzosoprano | Suor Genovieffa |
| Carolina Fajardo | Soprano | Suor Osmina |
| Berna Perles | Soprano | Suor Dolcina, Nella |
| Laura Vila | Mezzosoprano | La suora infermiera (Nursing sister) |
| Mar Morán | Soprano | Una novizia (A novice) |
| Pau Armengol | Bajo | Betto di Signa |
| Stefano Palatchi | Bajo | Simone |
| David Oller | Barítono | Marco |
| Luis López Navarro | Bajo | Maestro Spinelloccio |
| Tomeu Bibiloni | Barítono | Ser Amantio di Nicolao |
These three one-act operas seem unconnected. But are they? Giacomo Puccini assembled them under the title Il trittico (the triptych) and they are facets of a single reality. Instead of making a vain attempt to portray the whole world in a long opera, as in an epic novel, he selects three events and brings them together in a work of music which seeks to convey every shade of human emotion with intensity: from implacable coldness of heart to burning passion, via avarice, artfulness or parody.
