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Intérprete: Pavol Breslik

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MúnichDie Zauberflöte

Die Zauberflöte
Mozart: La flauta mágica (Die Zauberflöte)
Asher Fisch; August Everding; Bayerische Staatsoper; Helmut Lehberger; Jürgen Rose; Mika Kares; Pavol Breslik

LondresChrist on the Mount of Olives

Berg, Beethoven
London Symphony Orchestra; Simon Halsey; Lisa Batiashvili; Elsa Dreisig; Pavol Breslik; David Soar

HamburgLondon Symphony Orchestra, Sir Simon Rattle, Lisa Batiashvili

© Maxim Schulz
Berg, Beethoven
London Symphony Orchestra; Sir Simon Rattle; London Symphony Chorus; Lisa Batiashvili; Elsa Dreisig; Pavol Breslik

Baden-BadenSir Simon Rattle I - Christus am Ölberg

Berg, Beethoven
London Symphony Orchestra; Sir Simon Rattle; Elsa Dreisig; Pavol Breslik; David Soar; Lisa Batiashvili

ZürichDie CsárdásfürstinNew production

Die Csárdásfürstin
Kálmán: Die Csárdásfürstin (The Gypsy Princess)
Ulf Schirmer; Jan Philipp Gloger; Zurich Opera; Franziska Bornkamm; Karin Jud; Annette Dasch; Pavol Breslik
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L'elisir de Mario Gas triunfa en el Liceu de Barcelona

Mercedes Gancedo en el papel de Giannetta © A. Bofill
El Gran Teatre del Liceu presenta la magnífica producción de Mario Gas de L'elisir d'amore. Ramón Tebar en la dirección musical llevó con brío la orquesta y el cuarteto protagonista se ganó al público en esta hilarante historia.

Outstanding Beethoven, disappointing Berg from the LSO

Sir Simon Rattle and the LSO in Berg and Beethoven © Mark Allan
With fabulous solo singing from Pavol Breslik and Elsa Dreisig, Beethoven's only oratorio Christ on the Mount of Olives turns out to be a gem. Sadly, the Berg Violin Concerto misses the mark.

Tschaikowsky trifft Eiskönigin: Eugen Onegin in Wien

Marina Rebeka (Tatiana) © Michael Pöhn | Wiener Staatsoper GmbH

Frostig inszeniert, aber leidenschaftlich musiziert präsentiert die Wiener Staatsoper Tschaikowskys Oper.

Stag do: David Bösch's loveless Lustige Weiber at the Staatsoper

René Pape (Sir John Falstaff) © Monika Rittershaus
Barenboim conducts Otto Nicolai's Falstaff opera with a warmth and affection that is sorely lacking on stage. 

Folk rhythms and changing times in Dresden's Bartered Bride

Hrachuhí Bassénz (Marie) and Pavol Breslik (Hans) © Semperoper Dresden/Ludwig Olah
What brought real distinction and authenticity to the evening, as so often in this house, was the outstanding playing of the Staatskapelle conducted by Tomaš Netopil. From the start of the overture with its rapidly scurrying fugato for strings and pointed phrasing from the woodwind one felt the true sense of Smetana’s Czech inflected rhythms and harmonies