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Performer: Stuart Jackson

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LondresFreiburg Baroque Orchestra: Handel's Messiah

Handel: Messiah
Freiburg Baroque Orchestra; Trevor Pinnock; Katherine Watson; Claudia Huckle; Stuart Jackson; Božidar Smiljanić

BernaMigros-Kulturprozent-Classics

© Hugo Bernard
Handel: Messiah
Freiburger Barockorchester; Trevor Pinnock; Zürcher Sing-Akademie; Katherine Watson; Claudia Huckle; Stuart Jackson

GenevaMigros-Kulturprozent-Classics

© Hugo Bernard
Handel: Messiah
Freiburger Barockorchester; Trevor Pinnock; Zürcher Sing-Akademie; Katherine Watson; Claudia Huckle; Stuart Jackson

MánchesterThe Hallé - Beethoven’s Valiant Heroine

© B Ealovega
Beethoven
The Hallé; Sir Mark Elder; Ben Gernon; Simon O'Neill; Rachel Nicholls; Brindley Sherratt

NottinghamBeethoven's Choral Symphony with Sir Mark Elder and the Hallé

Beethoven's Choral Symphony with Sir Mark Elder and the Hallé
Prokofiev, Beethoven
The Hallé; Sir Mark Elder; Giselle Allen; Sarah Castle; Stuart Jackson; Neal Davies
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An immaculately executed Bartered Bride at Garsington

Maypole dancing © Clive Barda
Natalya Romaniw is a natural as our maligned heroine: Paul Curran creates staging of bewildering comic complexity and pulls it off with panache.

L’Amour, affaire de famille : La divisione del mondo à Strasbourg

La divisione del mondo à l'Opéra national du Rhin © Klara Beck
Christophe Rousset et Les Talens Lyriques exhument La divisione del mondo, opéra de Legrenzi donné pour la première fois en France 350 ans après sa création. Une découverte qui offre des moments exquis, portés par la mise en scène de Jetske Mijnssen.

Flogging a dead horse: a new Salome at English National Opera

Allison Cook (Salome) © Catherine Ashmore
ENO's new production of Salome which opens the season features some commendable music-making, but is let down by a flawed concept and dull staging.

Everybody loves David: Handel’s Saul at Glyndebourne

Karina Gauvin (Merab), Anna Devin (Michal), Iestyn Davies (David) and Allan Clayton (Jonathan) © Bill Cooper
Barrie Kosky's punchy, visually exhilarating take on Saul, with Iestyn Davies as a sublime David, makes for a powerful evening of drama at Glyndebourne.

Monteverdi on a doughnut: Ulysses fails to thrill

The Return of Ulysses © ROH & Roundhouse | Stephen Cummiskey
A series of ill-advised staging choices leads to a disappointingly drab performance of Monteverdi's Homeric epic.