Balanchine, Limón and an emerging choreographer close PNB season

Por Philippa Kiraly, 02 junio 2019

Descargando, espere, por favor...

Ver la programación

“This performance of a masterpiece was a masterpiece in itself”

Crítica hecha desde Marion Oliver McCaw Hall, Seattle el 31 mayo 2019

Signature (Price Suddarth)

Tarantella (George Balanchine)

The Moor's Pavane (José Limón)

Theme and Variations (George Balanchine)

Pacific Northwest Ballet

Emil de Cou, Dirección

Mark Zappone, Diseño de vestuario

Randall G Chiarelli, Diseño de iluminación

Angelica Generosa, Bailarín

Kyle Davis, Bailarín

Steven Loch, Bailarín

Lindsi Dec, Bailarín

Joshua Grant, Bailarín

Elizabeth Murphy, Bailarín

Lesley Rausch, Bailarín

Jerome Tisserand, Bailarín

Pacific Northwest Ballet Orchestra

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

Más críticas...

Philippa Kiraly

Philippa Kiraly has writing classical music criticism since 1980, for several newspapers in northern Ohio and Seattle, magazines, both local and national, and blogs. She has covered dance in Seattle for a decade. Pippa has been steeped in classical music since early childhood and is passionate about the importance of independent criticism for the fine arts, an art in itself. Pippa is a keen gardener, a keen grandparent, and can get lost in a good book.