Unpolished gems: Saint-Saëns, Smetana and more

Por Hugh Morris, 15 enero 2018

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Crítica hecha desde The Bridgewater Hall, Mánchester el 12 enero 2018

Smetana, La novia vendida: obertura

Saint-Saëns, Piano Concerto no. 4 in C minor, Op.44

Saint-Saëns, Rapsodie d'Auvergne for piano and orchestra in C major, op.73

Berlioz, Les Troyens: Royal hunt and storm

Berlioz, Les Troyens: Pantomime

Janáček, Sinfonietta, Op.60

BBC Philharmonic Orchestra

Edward Gardner, Dirección

Louis Lortie, Piano

Triunfal comienzo del Festival Internacional de Música de Canarias

Francisco Martínez Ramos, 13th January

Gran comienzo del 39 Festival Internacional de Música de Canarias, que contó con la Filarmónica de la BBC bajo la dirección de Juanjo Mena y con la violinista Clara-Jumi Kang como solista.

*****

Mena y la BBC Phil inauguran el Festival de Santander

Ramón del Buey Cañas, 5th August

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

****1

BBC Philharmonic’s bold but unbalanced Stravinsky and Adams

Leighton Jones, 1st May

Balance issues mar an otherwise compelling programme from John Storgårds and the BBC Philharmonic Orchestra.

***11

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

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Hugh Morris

Hugh is a freelance writer and composer based in Manchester. He contributes to a range of publications in the UK and US, including GRAMMY, Jazzwise, Reverb, The Sampler, The Calvert Journal and The Big Issue across music, politics and society. He also works for London-based jazz label Whirlwind Recordings, and for Manchester music charity Olympias Music Foundation.

Unpolished gems: Saint-Saëns, Smetana, Sinfonietta and Chasse royale