Leonine masterpieces from the Malta Philharmonic

Por Mark Valencia, 18 marzo 2019

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“Guy Braunstein has a masterly command of this 45-minute repertoire monster”

Crítica hecha desde Mediterranean Conference Centre, Valletta el 16 marzo 2019

Brahms, Concierto para violín en re mayor, Op.77

Brahms, Hungarian Dance no. 6 in D major

Mahler, Sinfonía núm. 5 en do sostenido menor

Guy Braunstein, Violín

Malta Philharmonic Orchestra

Michalis Economou, Dirección

Agata Zając, Assistant conductor

The Maltese embrace Austro-German Romanticism in Valletta

Alexander Hall, 26th January

The Malta Philharmonic Orchestra, with their Dutch-Maltese conductor Lawrence Renes and the British soprano Emma Bell, embrace the cause of Wagner and Bruckner in the heart of the Mediterranean.

***11

A Hero's Life: Malta Philharmonic performs Rachmaninov and Strauss

Dominic Lowe, 27th January

As Valletta celebrates its title as 2018 European Capital of Culture, the Malta Philharmonic gave an enthusiastic national premiere of Strauss' Ein Heldenleben.

****1

Enthusiasm and vitality brings the Malta PO season to a climax

Anthony Hart, 29th May

Schembri and the Malta Philharmonic Orchestra brings vitality, enthusiasm and maturity to the final concert of the season.

****1

A Evening of Magic with the Malta Philharmonic Orchestra

Anthony Hart, 7th March

The Malta Philharmonic Orchestra revels in magic and the supernatural.

****1

La jovial belleza atemporal de Brahms, Dvořák y Kodály con la OEX

Andrea Lorenzo Lancho, 26th January

La potente trasmisión técnica y vital de Braunstein, Ottensamer y la OEX surcan plenamente a Brahms, Dvořák y Kodály.

*****

Braunstein lidera la OSG en un ecléctico programa

Pablo Sánchez Quinteiro, 14th October

Muchas luces y alguna sombra en un programa muy bien ideado, interpretado y dirigido por Guy Braunstein

***11

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.