Gallic delights: the Nash Ensemble at Wigmore Hall

Por Matthew Rye, 21 marzo 2018

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“Evans floated the phrases beautifully above the sitar-imitating pizzicatos of Adrian Brendel’s cello”

Crítica hecha desde Wigmore Hall, Londres el 20 marzo 2018

Saint-Saëns, Caprice on Danish and Russian airs, Op.79

Ravel, Cinq mélodies populaires grecques

Ravel, Chants populaires

Debussy, Cuarteto de cuerda en sol menor, Op.10

Delage, Quatre poèmes hindous

Fauré, Cuarteto con piano núm. 2 en sol menor, Op.45

Nash Ensemble

Ian Brown, Piano

Rebecca Evans, Soprano

Nash Ensemble: música contemporánea en el Wigmore Hall

Francisco Martínez Ramos, 27th April

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

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Nash Ensemble intepreta a Falla

Katia de Miguel, 14th March

Nash Ensemble nos llevó de viaje desde Granada a Cádiz, pasando por Linares en un recorrido lleno de pasión y buen hacer, donde disfrutamos de coloridos paisajes e historias de amor y desamor.

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The Nash Ensemble celebrates Amelia Freedman at Wigmore Hall

Roy Westbrook, 2nd February

This Memorial Concert, given by the Nash Ensemble at Wigmore Hall, unites both the group and the venue closely associated with Amelia Freedman’s distinguished career as an arts administrator.

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Nash Inventions: a sonic feast for six decades

Christopher Woodley, 18th March

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

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Late night lunaire: Schoenberg's Pierrot with Claire Booth

Roy Westbrook, 21st June

A midsummer night but no moonshine for this madness in the Britten Studio.

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Nash Ensemble’s Inventions evoke vivid landscapes and sombre memories

Christopher Woodley, 26th March

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt.

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Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).