Alice Coote and Stuart Jackson bring Mahler to Middle Temple Hall

Por Mark Valencia, 15 noviembre 2021

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“throughout its heavenly length time hung suspended”

Crítica hecha desde Middle Temple Hall, Londres el 11 noviembre 2021

Mahler, Lieder eines fahrenden Gesellen

Mahler, Rückertlieder

Mahler, Des Knaben Wunderhorn: Der Schildwache Nachtlied

Mahler, Des Knaben Wunderhorn: Revelge

Mahler, Das Lied von der Erde: Der Abschied

Alice Coote, Mezzosoprano

Stuart Jackson, Tenor

Julius Drake, Piano

Sobre la importancia del texto: Matthew Polenzani en el Ciclo de Lied

David Santana Cañas, 14th December

El tenor norteamericano Matthew Polenzani hace su debut en el Ciclo de Lied junto con el pianista Julius Drake cosechando un notable éxito.

****1

Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Jean-Pierre Rousseau, 16th February

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

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Le Voyage d’hiver de Bostridge, Drake et Warner pétrifie l’Athénée

Pierre Michel, 20th November

Ian Bostridge et Julius Drake proposent une interprétation exceptionnelle du cycle schubertien, sublimée par la mise en scène de Deborah Warner et les lumières de Jean Kalman, jusqu'à l'énigme finale.

*****

Bumpy love songs from Roderick Williams and Julius Drake at PCMS

Cameron Kelsall, 12th February

A fully produced performance of Brahms' Die schӧne Magelone in Philadelphia, complete with on-stage narrator and bespoke drawings, proved less than the sum of its parts.

**111

Fauré Song Gala a showcase for the composer's mélodies

Mark Valencia, 13th September

Fauré was the finest of French songwriters. Stéphane Degout and Véronique Gens shine in a full-length evening in a packed Wigmore Hall.

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Gerald Finley and Julius Drake bring Night and Day to London

Mark Valencia, 24th November

Heinrich Heine settings by Schumann and Schubert are counter-balanced by Duparc and Cole Porter in a Temple Song recital reflecting on night and day.

*****

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.