Arqués fiery Ignite captures the attention at Dutch National Ballet

Por Lambrecht Wessels, 18 junio 2019

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Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 14 junio 2019

Pas/Parts (William Forsythe)

Kleines Requiem (Hans van Manen)

Ignite (Juanjo Arqués)

Dutch National Ballet

Matthew Rowe, Dirección

Keso Dekker, Diseño de escena

Tatyana van Walsum, Diseño de vestuario

Het Balletorkest

Stephen Galloway, Diseño de escena

Anna Tsygankova, Bailarín

Aya Okumura, Bailarín

Maia Makhateli, Bailarín

YuanYuan Zhang, Bailarín

Sasha Mukhamedov, Bailarín

Young Gyu Choi, Bailarín

Constantine Allen, Bailarín

Martin ten Kortenaar, Bailarín

Edo Wijnen, Bailarín

Vera Tsyganova, Bailarín

James Stout, Bailarín

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

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Lambrecht Wessels

Lambrecht Wessels is a conflict analyst, publicist and avid dance fan living in Amsterdam. He writes about modern and classical dance, and follows Dutch National Ballet and the Netherlands Dance Theater especially. But he also visits dance performances in Belgium, the UK and Scandinavia.