Grotesquery and cowhorns in Auckland

Por Simon Holden, 13 octubre 2019

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“they thumped through the displaced rhythms with great enthusiasm”

Crítica hecha desde Auckland Town Hall: Great Hall, Auckland el 11 octubre 2019

Mozart, Cassation in G major "Toy Symphony"

Stravinsky, Circus Polka (for a young elephant)

Gruber, Aerial, Concerto for trumpet and orchestra

Haydn, Symphony no. 22 in E flat major "The Philosopher"

Gruber, Frankenstein!!

Håkan Hardenberger, Trompeta, Dirección

HK Gruber, Voz, Dirección

New Zealand Symphony Orchestra

Joyce DiDonato’s Berlioz takes flight in Auckland

Simon Holden, 29th November

The unexpected grounding of Airbus A320s across the globe has musical consequences in Auckland, but Joyce DiDonato’s Berlioz saves the day.

****1

A tale of two Stabat Maters in Auckland

Simon Holden, 3rd October

Heard side by side, these two Stabat Maters, neither of which is a typical example of its kind, make for an evening of striking contrasts under conductor Valentina Peleggi.

***11

Gemma New conducts a superb Mahler 6 in Auckland

Simon Holden, 6th September

A key feature of New’s Mahler is the ability to keep everything cohesive across the long span of the works as witnessed in this account of the Sixth Symphony.

*****

Masaaki Suzuki and the NZSO take on classical music’s legends

Simon Holden, 10th May

In invigorating performances of Bach, Mozart and Beethoven in Auckland, Suzuki's interpretative approach evokes the sensibilities of historically informed performance.

*****

Astonishing Rachmaninov from Daniil Trifonov

Simon Holden, 12th April

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and musical artistry.

*****

The orchestra shine in NZSO's Puccini Arias programme

Simon Holden, 26th October

The NZSO are on sparkling form in Puccini arias and other operatic orchestral passages; Eliza Boom shows her potential as a Puccini singer of the future.

***11

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Simon Holden

Simon is an operaphile based in Auckland, New Zealand. He wrote his dissertation on Japanese popular music. With a background in piano and classical music retail, he spends his time attending as much opera or vocal concert as he can and blogs at irishenceaway.blogspot.com.

Grotesquery and cowhorns: HK Gruber and Håkan Hardenberger bring “pan-demonium” to Auckland