Khan's Kash

Por Cristina de Lucas, 05 marzo 2016

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“pristine, fast and precise ... emotionally detached and committedly physical.”

Crítica hecha desde Sadler's Wells Theatre, Londres el 3 marzo 2016

Kaash (Akram Khan)

Akram Khan Company

Anish Kapoor, Diseño de escena

Kimie Nakano, Diseño de vestuario

Apocalipsis climática: Jungle Book Reimagined en Oviedo

Cintia Borges Carreras, 3rd June

Akram Khan pone palabras al movimiento para alertar sobre la emergencia climática a través de un cuento infantil, porque el arte también puede ayudar a hacer política.

***11

Una Giselle que rompe muros: Tamara Rojo y Akram Khan

Maria Sánchez, 4th May

Expectativas más que cumplidas en esta producción del English National Ballet con Akram Khan; dos gigantes del panorama coreográfico contemporáneo que recrearon una Giselle actual, febril y nada inocente.

*****

Tamara Rojo fascina con la Giselle sagrada de Akram Khan

Cintia Borges Carreras, 12th October

El espectro de la Giselle de Akram Khan persuade a la audiencia con la interpretación sublime, impecable y arrebatadora de Tamara Rojo.

*****

Akram Khan’s Giselle for ENB at the Coliseum: hauntingly mesmeric

Deborah Weiss, 15th January

ENB have brought Akram Khan’s Giselle to London's Coliseum for the first time. It’s looking better than ever and should not be missed.

*****

‘Osipova/Linbury’: a pot pourri of delights

Deborah Weiss, 10th November

An interesting evening displaying the many facets of Natalia Osipova's talents alongside her equally exciting guests at the Linbury.

****1

Thikra: Night of Remembering – past voices shaping our present

Daniel Pratt, 29th October

Akram Khan in concentrated colour, setting the darkness chiming with Thikra: Night of Remembering at London's Sadler's Wells.

****1

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Akram Khan’s Kaash Revisited