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Sympathy for the Devil: Satan has to compete with exciting visuals in Mefistofele in Budapest

Por George Jahn, 12 abril 2022
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“a showcase role for a bass, and Amoretti tackled it with formidable range and power”
Crítica hecha desde Hungarian State Opera: Auditorium, Budapest el 10 abril 2022
Programa
Boito, Mefistofele
Intérpretes
Hungarian State Opera
Antonello Allemandi, Dirección
Balázs Kovalik, Dirección de escena
Csaba Antal, Diseño de escena
Mari Benedek, Diseño de vestuario
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Rubén Amoretti, Mefistofele
Cosmin Ifrim, Faust
Gabriella Létay Kiss, Margherita, Elena
Anna Csenge Fürjes, Marta, Pantalis
Gergely Boncsér, Nereo, Wagner
Marianna Venekei, Coreografía
Gábor Csiki, Dirección de coro
Hungarian State Opera Children's Chorus
Nikolett Hajzer, Dirección de coro
Más críticas de Ópera
All that glitters is not gold in Budapest's new Lohengrin
Orsolya Gyárfás, 16th November
Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.
**111
A thrilling, opulent La Bayadère at Hungarian National Ballet
Gianmarco Segato, 14th June
Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 
*****
Visually splendid, dramatically parched La Gioconda in Budapest
Gianmarco Segato, 11th June
Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 
***11
Stumbling towards the chopping block: Maria Stuarda in Budapest
Orsolya Gyárfás, 14th May
Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.
**111
Hungarian National Ballet: a tremendously witty Merry Widow
Deborah Weiss, 12th February
Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.
****1
A promising class: 6th Éva Marton Competition grand final
Orsolya Gyárfás, 7th September
In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale. 
Más críticas...
Leer críticas de
Anna Csenge FürjesAntonello AllemandiArrigo BoitoBalázs KovalikBudapest Philharmonic OrchestraCosmin IfrimCsaba AntalErwin SchrottGabriella Létay KissGergely BoncsérGábor CsikiHungarian National BalletHungarian State OperaHungarian State Opera Children's ChorusHungarian State Opera ChorusHungarian State Opera OrchestraMari BenedekMarianna VenekeiMefistofeleNikolett HajzerRubén Amoretti
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George Jahn
George Jahn
George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.