A beautiful Midsummer Night's Dream ends NYCB's spring season

Daniel Ulbricht (Oberon) and Taylor Stanley (Puck)

Daniel Ulbricht (Oberon)

Unity Phelan (Titania)

Unity Phelan (Titania) and Gilbert Bolden (Bottom)

Emily Kikta (Hippolyta)

Por Ivy Lin, 22 mayo 2022

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“a ballet that brings joy to audiences year in, year out”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 22 mayo 2022

A Midsummer Night's Dream (George Balanchine)

New York City Ballet

Unity Phelan, Bailarín

Gilbert Bolden III, Bailarín

Daniel Ulbricht, Bailarín

Taylor Stanley, Bailarín

Mira Nadon, Bailarín

Emilie Gerrity, Bailarín

Harrison Coll, Bailarín

Alec Knight, Bailarín

Emily Kikta, Bailarín

Indiana Woodward, Bailarín

Andrew Veyette, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

A beautiful Midsummer Night's Dream ends New York City Ballet's spring season