ENB tackles Modern Masters

Por Cristina de Lucas, 12 marzo 2015

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“They embraced their new stage and the works, inaugurating the partnership with command and delight.”

Crítica hecha desde Sadler's Wells Theatre, Londres el 10 marzo 2015

Petite Mort (Jiří Kylián)

Spring and Fall (John Neumeier)

In the Middle, Somewhat Elevated (William Forsythe)

English National Ballet

Un trío de ases para una noche de danza: Galili, Kylián y Duato

Eduardo López-Collazo, 30th May

Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.

****1

Avant-Garde: an eclectic triple bill in Prague

Elsa Giovanna Simonetti, 15th March

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

Petite Mort is a cut above in second Kylián celebration

Vikki Jane Vile, 31st May

The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

***11

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

ENB at Sadler’s Wells: Modern Masters for a new partnership