A feast for peripatetic music lovers in Istanbul

Por Jonathan Sutherland, 05 junio 2017

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Crítica hecha desde S Mary Armenian Church, Istanbul el 3 junio 2017

Bach, Sonata para violín núm. 1 en sol menor, BWV1001

Bach, Sonata para violín núm. 2 en la menor, BWV1003

Elvin Hoxha Ganiyev, Violín

Ayşe Şenogul, Soprano

Merve Kocabeyler, Arpa

Semplice Quartet

And Karabacak, Clarinete

Trio Immersio

Strings of Camerata Strumentale Citta di Prato

Beethoven “alla turca” at the Istanbul Music Festival

Mark Pullinger, 27th September

Beethoven meets Ottoman composer Dede Efendi in a contemporary take on the Pastoral Symphony in Istanbul.

***11

A benevolent shepherd for young singers

Alexandra Ivanoff, 11th September

In the wide world of impersonal, take-a-number singing competitions, Istanbul’s Leyla Gencer Voice Competition stands out for its unusual TLC of young singers. And its generous selection of prizes.

Schubert, frivol.

Larissa Schütz, 15th March

Das Landestheater präsentiert das Rezept für frischen Wind im Musiktheater: Man nehme vier junge Gesangstalente, stelle stecke in eine Bühnen-WG und gebe ihnen Opernfragmente Franz Schuberts; heraus kommt Schubertstraße 200, eine neue und erfrischende Produktion des Opernstudios Gerard Mortier.

***11

Ein Griff in die Trickkiste

Larissa Schütz, 20th September

Zum Auftakt der neuen Opernsaison inszeniert Intendant Carl Philip von Maldeghem in Salzburg die letzte Oper des genius loci Wolfgang Amadeus Mozart. Heraus gekommen ist ein bunter Zirkus und weitgehend solide musikalische Leistungen.

***11

Excelente Vivaldi con Janine Jansen y la Camerata Salzburg en Madrid

Leonardo Mattana Ereño, 26th April

Janine Jansen ofreció un concierto acompañada por la Camerata Salzburg, demostrando ser una de las violinistas más interesantes del panorama actual.

****1

Resonancias entre tiempos: viaje ulterior con Nicolas Altstaedt

Maria Sánchez, 19th April

Entre la variedad estilística y las diversas maneras de hacer, la música del violonchelista alemán desplegó un muestrario de posibilidades instrumentales en la intimidad monástica.

****1

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

The Music Route: A feast for peripatetic music lovers in Istanbul