Muti and the CSO bring out the operatic in Prokofiev

Por Edward Sava-Segal, 17 noviembre 2019

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“An amazingly young-looking and energetic Muti used all the tools of wizardry in his panoply”

Crítica hecha desde Carnegie Hall: Stern Auditorium, Nueva York el 16 noviembre 2019

Prokofiev, Romeo y Julieta: fragmentos

Prokofiev, Sinfonía núm. 3 en do menor, Op.44

Chicago Symphony Orchestra

Riccardo Muti, Dirección

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Klaus Mäkelä is speaking... Chicago is listening

Graham Meyer, 19th February

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

****1

Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Graham Meyer, 4th December

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

*****

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Daniela Candillari makes her Chicago Symphony Orchestra debut

Graham Meyer, 3rd October

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi.

****1

Polished Ravel x 2 from Alice Sara Ott with the Chicago Symphony

Graham Meyer, 25th September

Three hands for two concertos: Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G major.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Riccardo Muti and the CSO bring out the operatic in Prokofiev at Carnegie Hall