Grandeur and opulence in Oslo Phil's Rachmaninov

Por Alan Yu, 15 marzo 2017

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““Anitra’s Dance” was a gentle hopscotch of lightness”

Crítica hecha desde Hong Kong Cultural Centre: Concert Hall, Hong Kong el 14 marzo 2017

Grieg, Peer Gynt Suite no. 1, Op.46

Shostakovich, Concierto para violonchelo núm. 1 en mi bemol mayor, op. 107

Rajmáninov, Sinfonía núm. 2 en mi menor, Op.27

Sibelius, Valse triste, Op.44 no.1

Oslo Philharmonic

Vasily Petrenko, Dirección

Truls Mørk, Violonchelo

Noche hipnótica con Trpčeski y Petrenko

Tatiana Aráez, 31st January

La Orquesta Filarmónica de Oslo, con el laureado Vasily Petrenko a la batuta, en Madrid, un concierto remarcable en el que el solista, Simon Trpčeski, demostró una técnica y claridad pianística abrumadora.

****1

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

****1

Más críticas...

Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.

Grandeur and opulence in Oslo Philharmonic's Rachmaninov at the Hong Kong Arts Festival