Shostakovich Trilogy opens San Francisco Ballet residency

Por Graham Watts, 31 mayo 2019

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“Shostakovich’s music is captured and tamed”

Crítica hecha desde Sadler's Wells Theatre, Londres el 29 mayo 2019

Symphony no. 9 (Alexei Ratmansky)

Chamber Symphony (Alexei Ratmansky)

Concierto para piano núm. 1 (Alexei Ratmansky)

San Francisco Ballet

George Tsypin, Diseño de escena

Keso Dekker, Diseño de vestuario

Jennifer Tipton, Diseño de iluminación

San Francisco Ballet Orchestra

Aaron Robison, Bailarín

Jennifer Stahl, Bailarín

Dores André, Bailarín

Joseph Walsh, Bailarín

Wei Wang, Bailarín

Ulrik Birkkjaer, Bailarín

Sasha De Sola, Bailarín

Mathilde Froustey, Bailarín

Yuan Yuan Tan, Bailarín

Sofiane Sylve, Bailarín

Wona Park, Bailarín

Mungunchimeg Buriad, Piano

Michael Allen, Trompeta

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Ratmansky's Shostakovich Trilogy opens San Francisco Ballet residency at Sadler's Wells