Bintley's The Tempest for BRB

Por Rym Kechacha, 14 octubre 2016

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“capture (most) of ...the complex plot and also something of its atmosphere”

Crítica hecha desde Sadler's Wells Theatre, Londres el 13 octubre 2016

The Tempest (David Bintley)

Birmingham Royal Ballet

Tyrone Singleton, Bailarín

Iain Mackay, Bailarín

Jenna Roberts, Bailarín

Joseph Caley, Bailarín

James Barton, Bailarín

Valentin Olovyannikov, Bailarín

Finnish National Ballet delight in David Bintley’s A Christmas Carol

Maggie Foyer, 30th November

Skilfully drawn characters and excellent dancing make this a great alternative to the plethora of Nutcrackers during the festive season.

****1

David Bintley's Aladdin: a beloved production returns to Tokyo

Naomi Mori, 14th June

National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008.

****1

David Bintleys Weihnachtsballett A Christmas Carol

Rainer Zerbst, 23rd December

Ein beklemmendes psychologisches Drama... jedoch lässt die choreographische und musikalische Spannung nach Beginn schnell nach.

**111

National Ballet of Japan kicks off 2022 with stylish New Year Ballet

Naomi Mori, 14th January

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.

****1

New Year Ballet creates a buzz with “Still Life” at the Penguin Café

Naomi Mori, 11th January

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

****1

Birmingham Royal Ballet's Nutcracker rescued for online audiences

Graham Watts, 21st December

Outstanding performances all-around in this special treat for Christmas

*****

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Rym Kechacha

Rym Kechacha trained at Central School of Ballet and danced with Northern Ballet. She has blogged for Ballet.co, reviewed for DanceTabs and contributed to The Dancing Times and Dance Europe. She also writes fiction, essays and text messages.

David Bintley's successful The Tempest