Eyal's Used to be blonde

Por Graham Watts, 11 abril 2018

Descargando, espere, por favor...

Crítica hecha desde Sadler's Wells Theatre, Londres el 7 abril 2018

National Youth Dance Company

Sharon Eyal, Coreografía

Lérus, Eyal et le Ballet de l'Opéra du Rhin en symbiose

Julie Jozwiak, 4th May

Ici de Léo Lérus et The Look de Sharon Eyal s'enchainent parfaitement et semblent comme deux facettes d'une même pièce, où l'affirmation de l'individu et le sens du collectif vont de pair.

****1

Delay the Sadness, la voix intime de Sharon Eyal à La Villette

Laurine Mortha, 27th November

La danseuse et chorégraphe israélienne propose une création très personnelle, faisant écho à la disparition de sa mère. Une œuvre géniale, qui renouvelle son style tout en en conservant les codes si caractéristiques.

*****

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing

Graham Watts, 10th July

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

**111

Les duos contrastés de « Dialogues II » au TCE

Julie Jozwiak, 26th April

L'art du duo est à l'honneur au Théâtre des Champs-Élysées dans le cadre de TranscenDanses, avec des pièces courtes mais intenses de Mats Ek, Samantha Lynch, Akram Khan et Sharon Eyal.

***11

Norwegian National Ballet's Dialogues II: brief but brilliant

Graham Watts, 3rd April

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.

***11

Más críticas...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

National Youth Dance Company: Used To Be Blonde