Singular gems in a traditional setting in Stockholm

Por Edward Sava-Segal, 17 septiembre 2020

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“Manze treated every detail with utmost care”

Crítica hecha desde Konserthuset Stockholm: Stora Salen, Estocolmo el 17 septiembre 2020

Leyman, Roller Coaster: Super 8

Britten, Les Illuminations, for soprano or tenor and strings, Op.18

Stravinsky, El pájaro de fuego: suite

Royal Stockholm Philharmonic Orchestra

Andrew Manze, Dirección

Hanna Husáhr, Soprano

Oramo y Lugansky en el Auditorio: exégesis titánica

Ramón del Buey Cañas, 3rd May

Oramo condujo de forma vibrante, extrayendo de cada atril precisión y concentración, que se tradujeron en interlocución sublime con la voz desgranada por Luganski. Merece ser resaltado el asombroso dominio del cambio de compás, incesante y libre de devaneos o incertidumbres en los engarces.

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Musical tributes to Festival d’Aix as it wins Birgit Nilsson Prize

Peter Quantrill, 21st October

Pierre Audi is remembered in words and music as the Festival d’Aix-en-Provence receives $1m – the richest prize in classical music – at Stockholm’s Konserthuset.

Königlicher Genuss mit dem Royal Stockholm Philharmonic Orchestra

Benedikt Zacher, 23rd March

Ryan Banchroft und das Royal Stockholm Philharmonic Orchestra begeistern mit einem intensiven und spannenden Konzertprogramm.

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Bancroft and the Royal Stockholm Phil brass shine in Bruckner

David Karlin, 24th October

The RSPO's Chief Conductor leads an impressive Bruckner 4. With Augustin Hagelich, Mendelssohn's Violin Concerto is lighter fare, but trips merrily.

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Music, people, planet: a triumphant celebration in music for Yo-Yo Ma

Stephen Pritchard, 18th October

The celebrated cellist becomes the first instrumentalist to be presented the Birgit Nilsson Prize by His Majesty King Carl XVI Gustaf at the official Award Ceremony in Stockholm.

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Birgit Nilsson Prize: dazzling Dvořák from the ever-smiling Yo-Yo Ma

Stephen Pritchard, 16th October

Yo-Yo Ma's beatific serenity speaks volumes about his approach to life and music as he gives a performance in Stockholm's Konserthuset ahead of receiving the Birgit Nilsson Prize later in the week.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.