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Cleveland Orchestra closes inaugural In Focus season with another celebration of the strings

Por Sam Jacobson, 21 junio 2021
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“the opening movement was marked by sumptuous, arching melody, filled in with rich harmonies”
Crítica hecha desde Severance Music Center: Mandel Concert Hall, Cleveland el 17 junio 2021
Programa
Grieg, Holberg Suite, Op.40
Korngold, Symphonic Serenade in B flat major, Op.39
Intérpretes
The Cleveland Orchestra
Franz Welser-Möst, Dirección
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Barbara Hannigan surveys American voices with The Cleveland Orchestra
Sam Jacobson, 14th February
Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.
***11
The Cleveland Orchestra at Carnegie Hall: symphonic extremes
Sam Jacobson, 21st January
Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.
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Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.
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Yuja Wang serves an iridescent musical feast in Cleveland
Sam Jacobson, 28th November
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Tugan Sokhiev memorably debuts with The Cleveland Orchestra to lead a recent concerto for English horn and Mahler’s Tragic.
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Más críticas...
Leer críticas de
Edvard GriegErich Wolfgang KorngoldFranz Welser-MöstHolberg Suite, Op.40Symphonic Serenade in B flat major, Op.39The Cleveland Orchestra
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Sam Jacobson
Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.