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Sala: Severance Hall, Cleveland

Address11001 Euclid Ave, Cleveland, OH 44106, United States
OH 11001
Estados Unidos
ContainsReinberger Chamber Hall
Google maps41° 30' 22.852" N 81° 36' 33.610" W
octubre 2021
Función de tarde
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ClevelandNew beginnings

Strauss R., Tower, Prokófiev
The Cleveland Orchestra; Franz Welser-Möst; Alisa Weilerstein

ClevelandWalker and Korngold

Walker, Korngold
The Cleveland Orchestra; Franz Welser-Möst

ClevelandKanneh-Mason plays Elgar

Coleridge-Taylor, Elgar, Dvořák
The Cleveland Orchestra; Jakub Hrůša; Sheku Kanneh-Mason

ClevelandTchaikovsky Winter Dreams

Dvořák, Ravel, Tchaikovsky
The Cleveland Orchestra; Semyon Bychkov; Tom Borrow

ClevelandFrench Perspectives

Ravel, Dessner, Franck
The Cleveland Orchestra; Gustavo Gimeno; Katia Labèque; Marielle Labèque

ClevelandLevit plays Brahms Second Piano Concerto

Schnittke, Abrahamsen, Brahms
The Cleveland Orchestra; Franz Welser-Möst; Igor Levit

ClevelandWelser-Möst conducts Mozart and Dvořák

Mozart, Deutsch, Dvořák
The Cleveland Orchestra; Franz Welser-Möst

ClevelandYuja Wang plays Adams

Smith, Adams, Simon, Glass, Reich
The Cleveland Orchestra; John Adams; Yuja Wang; Steven Banks
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Cleveland Orchestra closes inaugural In Focus season

As with so many performances this season, the Cleveland strings took front and center in works of Grieg and Korngold.

Youthful works of Ravel and Britten in Cleveland

Ravel’s Sonatine – performed in transcription for oboe – prefaced a lush reading of Britten’s Variations on a Theme of Frank Bridge.

The Cleveland Orchestra illuminates contrasts in Dvořák and Corigliano

Franz Welser-Möst conducts The Cleveland Orchestra in works by Dvořák and Corigliano, the latter featuring principal percussionist Marc Damoulakis.

From solo flute to thunderous pipe organ in Cleveland

TCO principal flute Joshua Smith stood out in seminal works for solo flute by Debussy and Takemitsu. Organist Paul Jacobs was a capable soloist in Poulenc’s concerto, while Franz Welser-Möst led imaginatively orchestrated segments of Prokofiev’s Visions fugitives.

Emotionally charged Shostakovich and Messiaen in Cleveland

The Cleveland Orchestra offered stark contrasts of feeling in Shostakovich’s bleak Chamber Symphony and the luminous closing movement of Messiaen’s Éclairs sur l’au-delà.

Shchedrin’s Carmen ballet played with phantasmagorical brilliance

The Cleveland Orchestra string and percussion sections intensify the multi-hued quirkiness of Shchedrin’s 1967 musical love letter to his ballerina wife.

Alisa Weilerstein's Bach marathon in Cleveland

The musical intelligence of Weilerstein's approach made every movement a joyful experience while exploring Bach's musical universe. 

Minimalist patterns in music with the Cleveland Orchestra

The Cleveland Orchestra and their newly promoted Assistant Conductor Vinay Paraneswaran shed light on the musical pattern-making of the minimalists. And Bach.