From fulfilling funerary functions, to eulogising friends and fellow artists, or lamenting the waste of war: here are some of the finest examples of music written in mourning.
Award-winning pianist Junyan Chen talks about curating this year’s Leeds International Chamber Series, making new arrangements of repertoire, and the importance of chamber music for pianists.
The work most frequently performed in concert in 2023, Rachmaninov’s masterpiece owes its popularity to specific circumstances, but also to much deeper reasons.
Ahead of his concert at 92NY this December, Conrad Tao discusses Rachmaninov’s lush harmony, and the parallels between his music and classic songwriting of Billy Strayhorn and Harold Arlen.
“Years ago, I composed for the great Chaliapin. Now he is dead, and so I compose for a new kind of artist, the Philadelphia Orchestra.” Cameron Kelsall explores the relationship between Sergei Rachmaninov and the orchestra he composed for in exile.
Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.
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