The UK Competition and Markets Authority’s Conduct Requirement represents the first step in constraining one of the major AI companies to consider the interests of the publishers whose content they scrape.
Ahead of the 2026 ARD International Music Competition, Quatuor Ébène’s Pierre Colombet and Gabriel Le Magadure talk about the competition’s transformative effect on their career, performing Beethoven around the world, and advocating for chamber music.
The first freestanding new theatre to be built in the complex for over 50 years, the Baron Theater will host free performances for an audience of up to 2,000.
Ahead of a return to Prague to perform with the Czech Philharmonic, Anastasia Kobekina talks about Bryce Dessner’s new cello concerto, Trembling Earth, her love for Dvořák, and exploring new instruments.
Danny Riley worked as Bachtrack's content creator from 2017-2018 and is now a freelance contributor. Having also written for sites such as The Quietus and Bandcamp, he loves music of all genres, with a particular fondness for folk and minimalism, and recently completed a PhD on representations of sound in contemporary British poetry.
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