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In an all-Russian matinee, the Philharmonia presents excerpts from Tchaikovsky’s ballet that lack a dance element, but Rachmaninov’s First Piano Concerto soars.
The final day of Oxford Lieder's 80-event festival was framed by two recitals taking us from the world of German folklore andDes Knaben Wunderhorn, to the pain and drama of romantic entanglements.
Rosetta Cucchi, who takes over as Artistic Director at Wexford Festival Opera next season, directs a Rossinian rarity and its newly commissioned "prequel".
“It’s just like learning to say Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch!!” The Welsh bass-baritone reflects on learning the patter for his latest role, Donizetti's Don Pasquale.
William Alwyn's operatic take on Strindberg is rarely performed – a complete mystery considering this excellent concert staging at the Barbican by the BBCSO under Sakari Oramo.
The Director of The Royal Ballet talks about the challenges of season planning, keeping everybody happy and two big new creations by Cathy Marston and Wayne McGregor.
Akram Khan's bold reimagining of Giselle continues to go from strength to strength. After touring to venues from Moscow to Chicago, it returns to Sadler's Wells.
