Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.
Houston Symphony’s program starring John Corigliano’s Conjurer: Concerto for Percussionist and String Orchestra and Maurice Ravel’s Daphnis et Chloé crept through mists.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-02-05UTC13:17:41+00:002018-02-05Houston Symphony’s program starring John Corigliano’s Conjurer: Concerto for Percussionist and String Orchestra and Maurice Ravel’s Daphnis et Chloé crept through mists.Into the mist: Gabel and Houston Symphony captain Corigliano and Ravelen_GBtruehttps://bachtrack.com/fr_FR/review-ravel-corigliano-jones-hall-houston-symphony-gabel-currie-february-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.583Reviewhttps://bachtrack.com/files/76051-fgabel-c-gaetanbernard-23a18.jpg510340Fabien GabelGaetan Bernard
When a hurricane floods your symphony hall, and you have to scrap and replace programs according to new venues and limited rehearsal time – all with an aim to soothe a city in distress – what do you play?
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-09-25UTC10:29:33+00:002017-09-23When a hurricane floods your symphony hall, and you have to scrap and replace programs according to new venues and limited rehearsal time – all with an aim to soothe a city in distress – what do you play?The Houston Symphony after Harvey: Beethoven and Piazzollaen_GBtruehttps://bachtrack.com/fr_FR/review-orozco-estrada-moreno-houston-symphony-september-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.567Reviewhttps://bachtrack.com/files/68182-andres-orozco-estrada-martin-sigmund.jpg510340Andrés Orozco-EstradaMartin Sigmund
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-24UTC10:28:36+00:002017-04-21In a program of vivid Italian work, violinist Elina Välhälä, performing Corigliano's violin concerto, seemed to transform into a formidable sprite.Houston Symphony's fierce Red Violin and opulent Pines of Romeen_GBtruehttps://bachtrack.com/fr_FR/review-vasily-petrenko-elina-vahala-houston-symphony-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.638Reviewhttps://bachtrack.com/files/58440-elina-vahala-c-ica-artists-international-resized.jpg510340Elina VähäläAntti Hannuniemi
In a program with Chabrier’s España and Falla’s The Three-Cornered Hat, the Houston Symphony ambitiously unearthed Mario Castelnuovo-Tedesco’s Cello Concerto, last heard at its premiere with the New York Philharmonic in 1935.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-14UTC18:37:24+00:002017-04-14In a program with Chabrier’s España and Falla’s The Three-Cornered Hat, the Houston Symphony ambitiously unearthed Mario Castelnuovo-Tedesco’s Cello Concerto, last heard at its premiere with the New York Philharmonic in 1935.Underwhelming Lost Cello Concerto at Houston Symphonyen_GBtruehttps://bachtrack.com/fr_FR/review-houston-symphony-castelnuovo-tedesco-cello-symphony-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.699Reviewhttps://bachtrack.com/files/58028-brinton-averil-smith.jpg280420Brinton Averil Smith
On a program with unusually slow tempos in Tchaikovsky’s Sixth Symphony and Mendelssohn’s The Hebrides, Argentine pianist Ingrid Fliter gave a cursory performance of Mendelssohn's First Piano Concerto.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-03-13UTC12:50:59+00:002017-03-10On a program with unusually slow tempos in Tchaikovsky’s Sixth Symphony and Mendelssohn’s The Hebrides, Argentine pianist Ingrid Fliter gave a cursory performance of Mendelssohn's First Piano Concerto.Houston Symphony takes it slow with Mendelssohn and Tchaikovskyen_GBtruehttps://bachtrack.com/fr_FR/review-gabel-fliter-houston-symphony-march-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.606Reviewhttps://bachtrack.com/files/55515-fabien-gabel-c-gaetan-bernard-e3530.jpg510340Fabien GabelGaetan Bernard
While passion, supreme technical mastery, and inspiration all come to mind watching a celebrity like Ma perform, camaraderie, perhaps, is the best word for this concert.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-02-06UTC09:21:19+00:002017-02-05While passion, supreme technical mastery, and inspiration all come to mind watching a celebrity like Ma perform, camaraderie, perhaps, is the best word for this concert.Yo-Yo Ma dazzles Houston with Dvořáken_GBtruehttps://bachtrack.com/fr_FR/review-dvorak-cello-yo-yo-ma-orozco-estrada-houston-february-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.635Reviewhttps://bachtrack.com/files/52594-ma3-2015--c-jason-bell-web.jpg510452Yo-Yo MaJason Bell
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-01-30UTC12:29:01+00:002017-01-28In the year of the composer's 70th birthday, Adams’ Doctor Atomic Symphony had everyone sitting up straighter. Adams' Doctor Atomic ignites Houston Symphonyen_GBtruehttps://bachtrack.com/fr_FR/review-doctor-atomic-orozco-estrada-kozhukhin-houston-symphony-january-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.655Reviewhttps://bachtrack.com/files/39241-andres-orozco-estrada-martin-sigmund3.jpg510340Andrés Orozco-EstradaMartin Sigmund
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-01-16UTC12:47:27+00:002017-01-13In his Houston Symphony debut, Behzod Abduraimov holds court with Beethoven, even though the orchestra couldn't quite match him. Abduraimov's grand “Emperor” at the Houston Symphonyen_GBtruehttps://bachtrack.com/fr_FR/review-abduraimov-gaffigan-houston-symphony-january-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.647Reviewhttps://bachtrack.com/files/51332-behzod-abduraimov-piano-one-hand-c-christian-fatu-resized.jpg510340Behzod AbduraimovChristian Fatu
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-11-04UTC16:08:55+00:002016-11-04Fluidity defines Daniil Trifonov's style, even while he navigates different realities.Another dimension: Trifonov embraces Schumann in Houstonen_GBtruehttps://bachtrack.com/fr_FR/review-trifonov-orozco-estrada-houston-symphony-november-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.582Reviewhttps://bachtrack.com/files/48493-daniil-trifonov-0547-credit-dario-acosta-deutsche-grammophon-resized.jpg510339Daniil TrifonovDario Acosta | DG
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-10-06UTC15:42:26+00:002016-09-30Houston Symphony’s Creation was not pristine, but it caught the emotion overall so well that perhaps the out-of-place details don’t matter.Houston Symphony delivers a Creation to marvelen_GBtruehttps://bachtrack.com/fr_FR/review-haydn-creation-houston-symphony-september-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.605Reviewhttps://bachtrack.com/files/46648-andres-orozco-estrada-werner-kmetitsch-resized.jpg300412Andrés Orozco-EstradaWerner Kmetitsch
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-09-19UTC23:19:56+00:002016-09-18It’s curious to program an opening night with second-fiddle work; at least I thought so until this Strauss.Lush Rosenkavalier opens Houston Symphony's seasonen_GBtruehttps://bachtrack.com/fr_FR/review-rosenkavalier-orozco-estrada-houston-symphony-september-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.561Reviewhttps://bachtrack.com/files/39241-andres-orozco-estrada-martin-sigmund3.jpg510340Andrés Orozco-EstradaMartin Sigmund
Baráti and Würtz quickly showed their adeptness turning Beethoven’s quick lines into easy gestures. Together, they understand the meaning of the phrase, the weight of good articulation, and the importance of the space between notes.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-04-27UTC15:53:48+00:002016-04-27Baráti and Würtz quickly showed their adeptness turning Beethoven’s quick lines into easy gestures. Together, they understand the meaning of the phrase, the weight of good articulation, and the importance of the space between notes.
Exposing Beethoven: Baráti and Würtz with Da Camera of Houstonen_GBtruehttps://bachtrack.com/fr_FR/review-beethoven-kristof-barati-klara-wurtz-houston-april-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.707Reviewhttps://bachtrack.com/files/38603-kristof-barati-marco-borggreve3-resized.jpg300450Kristóf BarátiMarco Borggreve
The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-04-18UTC16:06:01+00:002016-04-17The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end.
Fear in future past: Siegfried at Houston Grand Operaen_GBtruehttps://bachtrack.com/fr_FR/review-siegfried-morris-goerke-paterson-houston-april-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.909Reviewhttps://bachtrack.com/files/38107-siegfried_jay_hunter_morris_houston_lynn_lane_resized.jpg300450Jay Hunter Morris (Siegfried)Lynn Lane
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-31UTC17:20:47+00:002016-01-31As long as the beginning and the end of a performance come together, will anyone remember the grievances in between? Barber, Brahms win for Houston Symphony, despite Schumann disarrayen_GBtruehttps://bachtrack.com/fr_FR/review-kopatchiskaja-houston-symphony-schumann-barber-brahms-january-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.610Reviewhttps://bachtrack.com/files/33770-patricia__kopatchinskaja_4_marco_borggreve_resized.jpeg300300Patricia KopatchinskajaMarco Borggreve
Antonín Dvořák’s Rusalka, moving between the worlds and rooted in myth, is a shivering opera to experience with its opulent music and its fantastical plot.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-30UTC20:23:36+00:002016-01-30Antonín Dvořák’s Rusalka, moving between the worlds and rooted in myth, is a shivering opera to experience with its opulent music and its fantastical plot. Magical debuts make the myth alive in Houston Grand Opera's Rusalkaen_GBtruehttps://bachtrack.com/fr_FR/review-dvorak-rusalka-houston-grand-opera-january-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.721Reviewhttps://bachtrack.com/files/33767-rusalka_lynn_lane.jpg620413Anna Maria Martínez as Rusalka and castLynn Lane
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-25UTC14:33:52+00:002016-01-23This production proves that even Mozart’s best-laid plans can be undone.Houston Grand Opera wastes a Figaroen_GBtruehttps://bachtrack.com/fr_FR/review-figaro-grandage-bicket-houston-grand-opera-january-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.838Reviewhttps://bachtrack.com/files/33423-figaro_stober_plachetka_houston_lynn_lane2_resized.jpg510329Heidi Stober (Susanna) and Adam Plachetka (Figaro)Lynn Lane
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-12-07UTC15:40:22+00:002015-12-06As part of the season of Scrooges and Santas, it’s a refreshing reminder of sweet simplicity in a complicated world. A charmed Little Prince at Houston Grand Operaen_GBtruehttps://bachtrack.com/fr_FR/review-little-prince-portman-houston-grand-opera-december-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.957Reviewhttps://bachtrack.com/files/31764-the_little_prince_andy_jones_joshua_hopkins_houston_lynn_lane_resized.jpg510340Andy Jones (The Little Prince) and Joshua Hopkins (Pilot)Lynn Lane
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-11-02UTC16:34:44+00:002015-10-31Re-imagining this opera with Prince Gremin as the show-stealer was no doubt a happy accident.Houston Grand Opera's Eugene Onegin stars an unlikely heroen_GBtruehttps://bachtrack.com/fr_FR/review-eugene-onegin-belosselskiy-hofstetter-houston-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.719Reviewhttps://bachtrack.com/files/30385-eugene_onegin_houston_katie_van_kooten_2015_lynn_lane_resized.jpg510361Katie van Kooten (Tatyana)Lynn Lane
Houston Grand Opera’s season-opening production of the fiery opera does it right, from lighting to set to singing, and the end result is a stunning beginning to its season.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-27UTC09:26:26+00:002015-10-24Houston Grand Opera’s season-opening production of the fiery opera does it right, from lighting to set to singing, and the end result is a stunning beginning to its season.A timeless Tosca at Houston Grand Operaen_GBtruehttps://bachtrack.com/fr_FR/review-tosca-monastyrska-dolgov-dobber-houston-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.894Reviewhttps://bachtrack.com/files/29996-tosca_andrzej_dobber_houston_lynn_lane_cropped.jpg300444Andrzej Dobber (Scarpia)Lynn Lane
More than today’s expert on Brahms, Ax promotes a revolutionary approach to the soloist persona: the soloist who is a chamber musician first and a diva second.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-19UTC09:23:53+00:002015-10-17More than today’s expert on Brahms, Ax promotes a revolutionary approach to the soloist persona: the soloist who is a chamber musician first and a diva second. Redefining the Solo: Ax plays Brahmsen_GBtruehttps://bachtrack.com/fr_FR/review-brahms-ives-ax-houston-symphony-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/fr_FR/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.602Reviewhttps://bachtrack.com/files/29608-emanuel_ax_marie_mazzucco_sony.jpg275413Emanuel AxMarie Mazzucco | Sony
