Iréne Theorin gives a powerful interpretation of Salome and Elektra's mad scenes in a concert including Also sprach Zarathustra and a contemporary composition.
A funny, original take on The Merry Widow at the Royal Swedish Opera in StockholmHenrik Dorsin rewrites a witty libretto for The Merry Widow to represent a fictitious financial crisis in the Kungliga Operan itself, satirizing the modern cultural scene.