Notre politique de confidentialité a été mise à jour pour la dernière fois le lundi 24 juin 2019Voir iciIgnorer
Se connecter
Bachtrack logo
Accueil
Agenda
Critiques
Articles
Vidéo
Site
Accueil concerts
AgendaCritiquesArticles

L'Île du rêve

PlanRéserverMes souhaits
PrinzregententheaterMünchen, Bayern, 81675, Allemagne
Le dimanche 26 janvier 2020 at 19:00
Artistes
Hélène GuilmetteSopranoMahénu
Ludivine GombertSopranoTéria / Faïmana
Anaïk MorelMezzo-sopranoOréna
Cyrille DuboisTénorLoti
Thomas DoliéBarytonTaïrapa / Henri, officier / 3e Officier
Artavazd SargsyanTénorTsen Lee / Kerven / 2e Officier
Chœur du Concert Spirituel
Münchner Rundfunkorchester
Hervé NiquetDirection
In the early 1890s, librettists Georges Hartmann and André Alexandre negotiated with Pierre Loti for the adaptation rights to several of his novels. This agreement resulted in two operas: Madame Chrysanthème, entrusted to André Messager’s capable hands; and the L’Île du rêve, young Reynaldo Hahn’s first foray into opera. The difficult evolution of Hahn’s opera worked in its favour: its completion coincided with a change of management at the Opéra-Comique and it became the first production mounted by Albert Carré on that stage. Faithful to the original text, the libretto tells the story of the love affair between a naval officer and a young Tahitian woman, Mahénu. This romantic idyll lasts only for the duration of the main character’s stay on the island. Although the treatment of the music shows the influence of Jules Massenet, it is set apart by the way all the numbers overlap, which impressed the critics: “Everything hangs together in this music, everything follows on and continues, all the episodes are linked, without pause”, exclaimed Arthur Pougin at the end of the premiere. Turning away from the heightened emotions of Romantic opera, Hahn was seeking a simplicity which led him, in the words of Philippe Blay, “towards a meditative and melancholy wonder”.
Mobile version