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Aida

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Teatro RealMadrid, 28013, Espagne
Dates/horaires selon le fuseau horaire de Madrid
Programme
Verdi, Giuseppe (1813-1901)AidaLivret de Antonio Ghislanzoni
Artistes
Teatro Real
Nicola LuisottiDirection
Hugo de AnaMetteur en scène, Décors, Costumes
Violeta UrmanaMezzo-sopranoAmneris2018 mars 07, 10, 13, 16, 22, 25
Ekaterina SemenchukMezzo-sopranoAmneris2018 mars 08, 11, 14, 17, 19, 21, 24
Daniela BarcellonaMezzo-sopranoAmneris2018 mars 09, 15, 20, 23
Liudmyla MonastyrskaSopranoAida2018 mars 07, 10, 13, 16, 22, 25
Anna PirozziSopranoAida2018 mars 08, 11, 14, 17, 19, 21, 24
Lianna HaroutounianSopranoAida2018 mars 09, 15, 20, 23
Gregory KundeTénorRadamès2018 mars 07, 10, 13, 16, 22, 25
Alfred KimTénorRadamès2018 mars 08, 11, 14, 17, 19, 21, 24
Fabio SartoriTénorRadamès2018 mars 09, 15, 20, 23
Ambrogio MaestriBarytonAmonasro2018 mars 07, 10, 13, 16, 22, 25
George GagnidzeBarytonAmonasro2018 mars 08, 11, 14, 17, 19, 21, 24
Ángel ÓdenaBarytonAmonasro2018 mars 09, 15, 20, 23
Soloman HowardBasseKing of Egypt
Roberto TagliaviniBasseRamfis2018 mars 07, 09, 10, 13, 15, 16, 19, 22, 23, 25
Rafał SiwekBasseRamfis2018 mars 08, 11, 14, 17, 20, 21, 24
Sandra PastranaSopranoPriestess
Alejandro del CerroTénorA messenger
Coro Titular del Teatro Real
Orquesta Titular del Teatro Real

In Aida, the grandiose and the intimate converge as in few other operas: the bloody confrontation between Ethiopians and Egyptians is juxtaposed by the love of Ramadés, Captain of the Egyptian Guard, for Aida, a slave of the Ethiopians. Their love is more powerful than the hatred between the two peoples, their social differences and incompatible perspectives. This love was as solid as the wall which blocked its consummation.

Verdi chose this story after rejecting several alternatives with comical or thematic plots to which he could have composed a grand opera. He became hugely involved with the writing of the libretto by Antonio Ghislanzoni, he had collaborated in the revision of La forza del destino. The success of the premiere in the opera house of Cairo, having opened two years previously, was sensational. As part of the Bicentennial celebrations, the Teatro Real pays tribute to its past by recouping part of the scenery of the 1998 production from its repository. Acclaimed at that time, the technical and material complexities have made it impossible to revive until now. Aida returns to the Teatro Real.

Production by the Teatro Real, in co-production with the Lyric Opera de Chicago and  Teatro Colón of Buenos Aires

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