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Artiste: Carlo Rizzi

Spectacles à venirEn voir plus...

TorontoTurandotNew production

Puccini: Turandot
Carlo Rizzi; Robert Wilson; Canadian Opera Company; Stephanie Engeln; Jacques Reynaud; Tamara Wilson; Marjorie Owens

ManchesterThe Hallé - Tchaikovsky’s Nutcracker Delights

© Tessa Traeger
Prokofiev, Tchaïkovski
The Hallé; Carlo Rizzi

New York CityTurandot

Puccini: Turandot
Carlo Rizzi; Franco Zeffirelli; Metropolitan Opera; Anna Anni; Nina Stemme; Marco Berti

New York CitySimon Boccanegra

Verdi: Simon Boccanegra
Carlo Rizzi; Giancarlo del Monaco; Metropolitan Opera; Michael Scott-Mitchell; Carlos Álvarez; Dmitry Belosselskiy

OsloRigoletto

Verdi: Rigoletto
Keri-Lynn Wilson; Ole Anders Tandberg; Norwegian National Opera; Maria Geber; Yngve André Søberg; Fredrik Zetterström
Critiques récentesEn voir plus...

Cavalleria rusticana, Sancta Susanna : un diptyque visuellement contrariant

Sancta Susanna © Elisa Haberer
Proposition étonnante, la programmation des deux oeuvres dans une même soirée fait le pari des contrastes, mais parvient difficilement à se tenir à distance d'un traitement narratif très vertical et moralisateur.

Puns, dirty jokes and bizarre misunderstandings

Teresa Iervolino (Ernestina) and Pavel Kolgatin (Ermanno) © Studio Amati Bacciardi
A new, successful production by Leiser and Caurier supports a great cast of Rossini specialists, with Teresa Iervolino, Paolo Bordogna and Davide Luciano in the lead roles.

Joyce El-Khoury shines as Donizetti's Tudor queen

Joyce El Khoury (Elisabetta) © Bill Cooper
It is a thing of wonder that Roberto Devereux is one of Donizetti’s lesser known works. Whether on account of its challenging soprano part, or its fussy Tudor setting, it is rarely performed, but contains some of the composer’s most beautiful – and indeed memorable – arias and duets.

Ballo II, the American cut: an indigestible staging at WNO

Gwyn Hughes Jones (Riccardo) and Mary Elizabeth Williams (Amelia) © Bill Cooper
Musically, WNO gets it right. Straightforward brilliance is the order of the day, and plenty of it.

Devil takes all in The Met's Mefistofele

Christian Van Horn (Mefistofele_ © Karen Almond | Metropolitan Opera
Mefistofele proves a mixed blessing: good meets evil, devils fight with angels, lovely lyricism alternates with bombast and second-rate material.