dimanche 29 mars 2026 | 19:00 |
jeudi 02 avril 2026 | 19:00 |
Bach, Johann Sebastian (1685-1750) | Passion selon saint Matthieu, BWV244 (arr. Felix Mendelssohn) |
Géza M. Tóth | Mise en scène | |
István Kovács | Basse | Jesus |
Tibor Szappanos | Ténor | Evangelist |
Atala Schöck | Mezzo-soprano | |
Istvan Horvath | Ténor | |
Bence Pataki | Basse | |
Orchestre de l'Opéra d'État hongrois | ||
Chœurs de l'Opéra d'État hongrois | ||
Chœurs d'enfants de l'Opéra d'État hongrois | ||
Gábor Csiki | Chef de chœur |
The Saint Matthew Passion is Bach's greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach's death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach's birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.