Notre politique de confidentialité a été mise à jour pour la dernière fois le vendredi 31 janvier 2020Voir iciIgnorer
Se connecter
Bachtrack logo
Accueil
Agenda
Critiques
Articles
Vidéo
Site
AgendaCritiquesArticlesVidéo

Artiste: Andrew Stenson

Critiques récentesEn voir plus...

Ton américano-voltairien pour un optimisme musical : Candide au Théâtre du Capitole

W. Harmon (Voltaire), A. Stenson (Candide), A. Emerson (Cunégonde), M. Simpson (La Duègne) © Patrice Nin
Pour la production de ce Candide, le Capitole recevait un plateau et une équipe presque entièrement issus des milieux américains, faisant souffler dans l’enceinte du théâtre un vent de fraîcheur et de nouveauté.

Mostly Mozart concludes with a deeply-felt Requiem

Louis Langrée © Mostly Mozart | Jennifer Taylor
The Mostly Mozart Festival ended its season with an all-Mozart program centered on the Requiem. Paired with that was a piano concerto with Stephen Hough and the rarely-heard Meistermusik.

Questions unanswered in a Così fan tutte revival in Chicago

Marianne Crebassa (Dorabella) © Cory Weaver
Synergies between singers compensated for accurate but unexciting orchestral playing.

Utterly unmissable Margherita at Wexford

Alessandra Volpe (Margherita) © Clive Barda
Foroni's forgotten gem, Margherita makes a welcome return at Wexford Festival Opera. A superlative cast, a charming production and glorious music make this a must-see event in this year's festival.

Buffa as blood sport: Glyndebourne's Don Pasquale

Renato Girolami (Don Pasquale) and Chorus © Bill Cooper | Glyndebourne Opera
Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.

Seattle Opera's Magic Flute as enchanting as ever

Christina Poulitsi (Queen of the Night) © Philip Newton
“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte