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Artiste: Jeremy Milner

Spectacles à venirEn voir plus...

GenèveCrépuscule des Dieux, Le (Götterdämmerung)

Crépuscule des Dieux, Le (Götterdämmerung)
Wagner: Crépuscule des Dieux, Le (Götterdämmerung)
Georg Fritzsch; Dieter Dorn; Grand Théâtre de Genève; Alan Woodbridge; Jürgen Rose; Petra Lang
Critiques récentesEn voir plus...

An air of decay: Don Carlo at Opera Philadelphia

Eric Owens (Philip II) and Morris Robinson (The Grand Inquisitor) © Opera Philadelphia | Kelly & Massa
Some very fine singing and beautiful, if sometimes confusing, visual effects in Opera Philadelphia's Don Carlo.  

Opera Phila’s ‘Carmen’ Easy to Love

Rinat Shaham as Carmen / photo by Kelly & Massa Photography
Some operagoers contend that Carmen, the fatalistic gypsy doomed to die, is unlikable. She antagonizes other women at the cigarette factory. She seduces men with abandon. She makes an inexperienced corporal of the guard fall for her, manipulates him into abandoning his military career for a life of smuggling, and then heartlessly turns him out like a pesky stray.

Stunning Outcome for OCP with Challenging 'Phaedra'

©  Kelly & Massa Photography
One great advantage of premiering an opera in the United States is that audiences can’t compare productions and casts of past performances and find you lacking. One major disadvantage is that the audience has little or no fluency with the work and may struggle to comprehend its meaning and significance. With the U.S.