The Royal Academy's Carmen has too many what-if moments

Fionn Ó hAlmhain (Zuniga) and Zixin Tang (Carmen)

Konstantinos Akritides (Don José) and Zixin Tang (Carmen)

Grace Hope-Gill (Micaëla)

Par Dominic Lowe, 20 novembre 2025

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Royal Academy of Music: Susie Sainsbury Theatre, Londres, le 18 novembre 2025

Bizet, Carmen

Royal Academy Opera

Christopher White, Direction

Harry Fehr, Mise en scène

Yannis Thavoris, Décors, Costumes

Jake Wiltshire, Lumières

Royal Academy of Music Symphony Orchestra

Royal Academy of Music Chorus

Matt Powell, Vidéaste

Zixin Tang, Carmen

Konstantinos Akritides, Don José

Grace Hope-Gill, Micaëla

Tom Butler, Escamillo

Fionn Ó hAlmhain, Zuniga

Caroline Blair, Frasquita

Alexandria Moon, Mercédès

Yihui Wang, Le Remendado

Oliver Heuzenroeder, Le Dancaïre

Edward Daly, Moralès

Victoria Newlyn, Movement director

Le ravissement de Semele à Londres

Georgiana Hatara, 17th November

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

****1

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

Plus de critiques...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Sliding doors moments: the Royal Academy's Carmen has too many what-ifs