Maurizio Pollini proves that one doesn’t have to be perfect

Par Edward Sava-Segal, 23 mai 2017

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“the melody seemed to dissolve in the enveloping harmonic cloud, full of ornamentation”

Critique faite à Carnegie Hall: Stern Auditorium, New York, le 21 mai 2017

Chopin, 2 Nocturnes, Op.27

Chopin, Ballade no. 3 en la bémol majeur, Op.47

Chopin, Ballade no. 4 en fa mineur, Op.52

Chopin, Berceuse en ré bémol majeur, Op.57

Chopin, Scherzo no. 1 en si mineur, Op.20

Chopin, Ballade no. 1 en sol mineur, Op.23

Chopin, Sonate pour piano no. 3 en si mineur, Op.58

Maurizio Pollini, Piano

Maurizio Pollini en maître du chant et des songes

Alain Lompech, 9th October

La prodigeuse leçon de Maurizio Pollini dans les Kreisleriana de Schumann et la Troisième Sonate de Chopin.

*****

Une légende vivante: Maurizio Pollini et le regard vers le passé

Tatiana Aráez, 8th February

Même si l'amplitude du répertoire pianistique de Pollini est bien connue, le lundi 8 Janvier cet ingénieur du piano nous a offert un récital dans lequel ont été rassemblés deux prestiges du piano romantique: Schumann et Chopin.

***11

Half a Pollini is better than none at all

Alexander Hall, 1st March

Mystified by the headline? Then read on for a partial view of Maurizio Pollini's latest recital, celebrating his 80th birthday.

****1

Complejo recital de Pollini con obras de Schönberg y Chopin

Jorge Baeza Stanicic, 8th December

Maurizio Pollini se mostró eficaz y admirable en la parte dedicada a Schönberg mientras que en las obras de Chopin hubo cierta variabilidad.

***11

A Grand Master returns: Maurizio Pollini at the Royal Festival Hall

Mark Pullinger, 12th March

Pollini's love for Chopin and Debussy was evident throughout an intimate recital as part of the Southbank Centre's in the International Piano Series.

****1

Chopin y Debussy a través de la Prisca Sapientia de Maurizio Pollini

Leonardo Mattana Ereño, 11th February

Maurizio Pollini, acogido en Madrid por la Fundación Scherzo, desplegó toda su sabiduría en un discurso pianístico profundamente personal.

*****

Plus de critiques...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

At Carnegie Hall, Maurizio Pollini proves that one doesn’t have to be perfect