From the cradle to the grave: German Romantics from the Nash Ensemble

Par Alexander Hall, 17 février 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Wigmore Hall, Londres, le 16 février 2019

Wagner, Siegfried Idyll

Beethoven, Quintette à cordes en ut majeur, Op.29

Strauss R., Capriccio, Op.85: sextuor

Strauss R., Quatre derniers lieder (Vier Letzte Lieder) (arr. James Ledger)

Lucy Crowe, Soprano

Nash Ensemble

Jamie Phillips, Direction

Cinquantenaire du Nash Ensemble

Luce Zurita, 7th February

L'un des ensembles les plus importants de musique de chambre célébrait son anniversaire autour d'un repas copieux : trois heures de musique et une chanteuse invitée de marque, Sarah Connolly. De vrais moments de grâce.

***11

The Nash Ensemble celebrates Amelia Freedman at Wigmore Hall

Roy Westbrook, 2nd February

This Memorial Concert, given by the Nash Ensemble at Wigmore Hall, unites both the group and the venue closely associated with Amelia Freedman’s distinguished career as an arts administrator.

****1

Nash Inventions: a sonic feast for six decades

Christopher Woodley, 18th March

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

****1

Late night lunaire: Schoenberg's Pierrot with Claire Booth

Roy Westbrook, 21st June

A midsummer night but no moonshine for this madness in the Britten Studio.

****1

Nash Ensemble’s Inventions evoke vivid landscapes and sombre memories

Christopher Woodley, 26th March

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt.

****1

A double act: Roderick Williams delivers Mahler two ways

Alexander Hall, 19th November

Robert and Clara were not the only two-composer family. So were Alma and Gustav. The Nash Ensemble's latest programme highlights Beethoven and the Romantics.

***11

Plus de critiques...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.