Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Breaking bonds: a staged Messiah from Wild Arts in Smith Square Hall

Edward Hawkins and Wild Arts Ensemble
© Steve Gregson
Par Dominic Lowe, 11 décembre 2025
Chargement en cours, veuillez patienter...
Voir le listing complet
“we bear witness to their struggles and joys as they grapple with events the oratorio depicts”
Critique faite à Smith Square Hall, Londres, le 9 décembre 2025
Programme
Haendel, Le Messie
Artistes
Tom Morris, Mise en scène
Sofia Kirwan-Baez, Soprano
Joanna Songi, Soprano
Martha Jones, Mezzo-soprano
Kate Symonds-Joy, Mezzo-soprano
Guy Elliott, Ténor
Harry Jacques, Ténor
Timothy Nelson, Baryton-basse
Edward Hawkins, Basse
Wild Arts Ensemble
Orlando Jopling, Direction musicale
Voir plus de critiques Concert
Eugene Onegin on the road: Wild Arts plays Opera Holland Park
Mark Pullinger, 14th August
Tchaikovsky stipulated that a staging of Eugene Onegin need not be lavish but should be kept in period. He would have been satisfied with the results here.
***11
Eugene Onegin on the road: Wild Arts plays Opera Holland Park
Mark Pullinger, 14th August
Tchaikovsky stipulated that a staging of Eugene Onegin need not be lavish but should be kept in period. He would have been satisfied with the results here.
***11
Monteverdi's L’Orfeo makes its Wiener Staatsoper debut
Chanda VanderHart, 13th June
An energized cast delivers in a visually eye-popping production as Monteverdi's opera appears at the Haus am Ring for the very first time. 
****1
Amazing Breaking the Waves: Scottish Opera at the Adelaide Festival
Brian Angus, 13th March

Breaking the Waves is a remarkable opera. Scottish Opera has brought a thrilling cast, orchestra and team to Adelaide, and its audiences are all the richer for it.

*****
Mazzoli’s luminous Breaking the Waves receives European premiere
David Smythe, 21st August

Sydney Mancasola gives a towering performance in Scottish Opera's new production by Tom Morris.

****1
Stunning Met production of The Death of Klinghoffer
Rebecca Lentjes, 24th October
David Robertson carried the Met Orchestra through one of the most brilliantly-conducted performances I’ve witnessed, though the music itself was not always impressive. 
****1
Plus de critiques...
Lire critiques de
Edward HawkinsGeorg Friedrich HaendelGuy ElliottHarry JacquesKate Symonds-JoyLe MessieMartha JonesOrlando JoplingSofia Kirwan-BaezTimothy NelsonTom MorrisWild Arts Ensemble
Articles connexes
Du Messie à Carmen : les défis d'Adèle Charvet
Loading image...
Entretien avant Orlando de Haendel : Max Emanuel Cenčić, à la folie
Loading image...
L’édito de septembre : gare à la crise des vocations
« Décloisonner les genres et les époques » : entretien avec Aline Piboule
En voir plus de Dominic Lowe
Loading image...
Sir Mark Elder leads a riveting Rigoletto revival at the Royal Opera House
Loading image...
Hedging its bets: a merry La finta giardiniera at the Royal College of Music
Loading image...
Musically excellent Bartered Bride in Prague slightly marred by meta production
Loading image...
A sensational Kátya Kabanová in Brno shows Janáček at his very best
Dominic Lowe
Dominic Lowe
Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.