Juilliard students put on Káťa Kabanová

Par Edward Sava-Segal, 28 avril 2017

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Critique faite à The Juilliard School: Peter Jay Sharp Theater, New York, le 25 avril 2017

Janáček, Katia Kabanova

Juilliard Opera

Anne Manson, Direction

Stephen Wadsworth, Mise en scène

Charlie Corcoran, Décors

Felicia Moore, Katia

Gerard Schneider, Boris

Sara Couden, Kabanicha

Miles Mykkanen, Tichon

Alex Rosen, Dikoï

Samuel Levine, Koudriach

Samantha Hankey, Varvara

Xiaomeng Zhang, Kouliguine

Juilliard Orchestra

America's young talent on show at the Juilliard's Cunning Little Vixen

David Karlin, 28th April

Generally, opera doesn’t give old age much of a look-in, but the closing scene of Janáček’s The Cunning Little Vixen, written in Janáček’s old age, is an exception, as the Forester muses on the passing of time and the renewing cycle of life. In today’s Juilliard School production, Aubrey Allicock gave us the most touching and thoughtful of renderings.

***11

A worthy revival of Handel’s Rodelinda at the Metropolitan Opera

Edward Sava-Segal, 11th March

Harry Bicket brings verve and distinctiveness to a stellar cast in Stephen Wadsworth's production, which is neither conventional nor daring.

****1

The Metropolitan Opera performs a revelatory, original Boris Godunov

Robert Levine, 28th September

Forget Rimsky-Korsakov, forget the Polish act... Stephen Wadsworth's new production for The Met returns to Mussorgsky's original 1869 version of his Russian historical epic.

*****

Götterdämmerung at Seattle Opera is the perfect end to an extraordinary Ring

Ilana Walder-Biesanz, 9th August

Wagner famously idealized the concept of the “Gesamtkunstwerk”, a total work of art that incorporates many artistic media into a single piece. He would have appreciated Seattle Opera’s production of Götterdämmerung.

*****

Siegfried is funny and touching at Seattle Opera

Ilana Walder-Biesanz, 7th August

Seattle Opera’s Siegfried takes place in familiar territory. Mime lives in the part of the forest where the gods roamed in Das Rheingold, and the dragon has made its lair where Hunding and Siegmund fought in Die Walküre (there’s even a bloodstain on the rock, which the Wanderer touches regretfully).

****1

Talented acting makes Seattle Opera's Die Walküre a heart-breaking experience

Ilana Walder-Biesanz, 5th August

After Sunday night’s breathtaking Das Rheingold, it was difficult to imagine Die Walküre could be more beautiful or committed. Seattle Opera outdid themselves with this second installment of the Ring cycle, which featured energetic playing and singing, gorgeous stage pictures, and devastatingly believable acting from all of the singers.

*****

Plus de critiques...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Juilliard students put on a meritorious performance of Káťa Kabanová