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Unfamiliar Russians break the routine with Karabits and the Bournemouth SO in Bristol

Par Andrew Morris, 18 novembre 2017
Chargement en cours, veuillez patienter...
Voir le listing complet
“Without the weight of biography, the music enchants with its colours”
Critique faite à Bristol Beacon: Beacon Hall, Bristol, le 16 novembre 2017
Programme
Glazounov, From the Middle Ages, suite for orchestra, Op.79: Overture
Beethoven, Concerto pour piano et orchestre no. 3 en ut mineur, Op. 37
Chopin, Nocturne no. 2 en mi bémol majeur, Op.9 no. 2
Tchaïkovski, Suite no. 3 en sol majeur, pour orchestre, Op.55
Artistes
David Fray, Piano
Bournemouth Symphony Orchestra
Kirill Karabits, Direction
Voir plus de critiques Concert
Ning Feng’s Korngold is not quite a “Hollywood hit” in Poole
David Truslove, 26th November
Sian Edwards takes the helm of the Bournemouth Symphony Orchestra in Britten, Korngold and Dvořák, with mixed results. 
***11
A Prom of two halves: Mark Wigglesworth and the Bournemouth SO
Leighton Jones, 20th July
The BSO play a trio of 20th-century greats — Ravel and Shostakovich both taking inspiration from the age of jazz, while Walton’s First Symphony provides contrast. 
***11
Die Fledermaus at The Grange: Cabaret meets G&S
David Karlin, 20th June
A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.
***11
Alena Baeva delivers transcendent Berg at The Anvil
David Truslove, 25th January
Polished playing and inspirational performances in Basingstoke that underline the exciting relationship between Mark Wigglesworth and the Bournemouth Symphony Orchestra.
*****
The Rake's Progress at The Grange: richly entertaining
David Karlin, 23rd June
Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.
****1
Voices from the East: a musical marathon with a gripping finish
Peter Quantrill, 19th May
Kirill Karabits and the Bournemouth Symphony Orchestra present a day of composers from the former Soviet republics with heroic skill and stamina. 
****1
Plus de critiques...
Lire critiques de
Alexandre Konstantinovitch GlazounovBournemouth Symphony OrchestraConcerto pour piano et orchestre no. 3 en ut mineur, Op. 37David FrayFrom the Middle Ages, suite for orchestra, Op.79: OvertureFrédéric ChopinKirill KarabitsLudwig van BeethovenNocturne no. 2 en mi bémol majeur, Op.9 no. 2Piotr Ilitch TchaïkovskiSuite no. 3 en sol majeur, pour orchestre, Op.55
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Andrew Morris
Andrew Morris
Andrew is a writer and teacher whose work has appeared in The Strad and International Record Review. He is particularly interested in Russian music and the violin. He also writes about music at his blog Devil's Trill and can also be found on Twitter at @devilstrillblog.