Slavery and Voodoo: Delius’ Koanga in Wexford

Par Mark Pullinger, 22 octobre 2015

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“Nozuko Teto... a glorious, full lyric soprano which gleams throughout its range”

Critique faite à National Opera House: O’Reilly Theatre, Wexford, le 21 octobre 2015

Delius, Koanga

Wexford Festival Opera

Stephen Barlow, Direction

Michael Gieleta, Mise en scène

James Macnamara, Décors

Sarah Roberts, Costumes

Norman Garrett, Koanga

Nozuko Teto, Palmyra

Kate Allen, Clotilda

Christopher Robertson, Don José Martinez

Aubrey Allicock, Onkel Joe, Rangwan

Jeffrey Gwaltney, Simon Perez

Eleanor Garside, Hélène

Frances Israel, Jeanne

Maria Hughes, Marie

Rachel Croash, Renée

Emma Watkinson, Aurore

Vivien Conacher, Hortense

Laura Murphy, Olive

Natalie Sinnott, Paulette

Delius’ The Magic Fountain disappoints at Wexford

Eleanor Knight, 19th October

Frederick Delius' gigantic score is worth a listen but Christopher Luscombe doesn’t circumvent the problems of directing this opera in 2025.

**111

Handel’s Deidamia a triumph for Wexford Festival Opera

Eleanor Knight, 18th October

A rare opportunity to see Handel’s final operatic work, Deidamia, conducted – and staged – by George Petrou at Wexford Festival Opera.

*****

Spanish Civil War Trouvère opens Wexford Festival Opera

Eleanor Knight, 17th October

The 74th Wexford Opera Festival opens with the French revision of Il trovatore that Verdi reforged for the Paris Opera.

***11

Orpha Phelan delivers farcical Donizetti at the Wexford Festival Opera

Andrew Larkin, 20th October

Superlative singing, hilarious antics and an energetic production make Donizetti's Le Convenience ed inconvenience an exhilarating success.

****1

Stanford's hilarious The Critic proves a Wexford knockout

Andrew Larkin, 19th October

Conor Hanratty's humorous production is a triumph from beginning to end, a must see at this year's Wexford Festival.

*****

Mascagni's Le maschere struggles to take flight in Wexford opener

Andrew Larkin, 18th October

Excellent singing, an amusing production and lively staging showcases Mascagni's Le maschere in the best possible light at Wexford Festival Opera.

***11

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Slavery and Voodoo: Delius’ Koanga opens the 64th Wexford Festival