Operetta on a count: Lehár in Düsseldorf

Par Matthew Rye, 09 décembre 2016

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“Lehár’s score is one treat after another”

Critique faite à Opernhaus, Düsseldorf, le 8 décembre 2016

Lehár, Der Graf von Luxemburg (The Count of Luxembourg)

Deutsche Oper am Rhein

Patrick Francis Chestnut, Direction

Lukas Beikircher, Direction

Jens-Daniel Herzog, Mise en scène

Mathis Neidhardt, Décors

Sibylle Gädeke, Costumes

Juliane Banse, Angèle Didier

Romana Noack, Angèle Didier

Astrid Kessler, Angèle Didier

Florian Simson, Armand Brissard

Cornel Frey, Armand Brissard

Lavinia Dames, Juliette Vermont

Monika Rydz, Juliette Vermont

Bruce Rankin, Prince Basil Basilowitsch

Renée Morloc, Countess Stasa Kokozow

Susan Maclean, Countess Stasa Kokozow

Luis Fernando Piedra, Pawel von Pawlowitsch

Karl Walter Sprungala, Pélégrin

Bo Skovhus, René, Graf von Luxemburg

Kay Stiefermann, René, Graf von Luxemburg

David Jerusalem, Sergei Mentschikoff

Volker Weinhart, Lumières

Christoph Kurig, Chef de chœur

Kati Farkas, Chorégraphie

Hans-Peter Frings, Dramaturgie

Anne do Paço, Dramaturgie

Michal Maciejewkski, Danse

Ivan Keim, Danse

David Laera, Danse

Yoko El-Edrisi, Chorégraphie, Danse

Giulia Fabris, Danse

Hinako Sakuraoka, Danse

Olena Yalyeyeva, Danse

Chor der Deutschen Oper am Rhein

Düsseldorfer Symphoniker

Scheitern statt Scheiterhaufen: Die Jungfrau von Orléans in Düsseldorf

Svenja Koch, 9th September

Elisabeth Stöppler inszeniert Tschaikowsky-Rarität als Charakterstudie statt Kriegstableau.

****1

Reality wants augmenting in Daniel Kramer's Die tote Stadt

Eleanor Knight, 16th April

What's a director to do while we wait for technology to catch up with the complexities of the human condition?

***11

Boris Blachers ausdrucksstarker Romeo und Julia in Duisburg

Michael Vieth, 17th April

Unter fast 40 Romeo-Vertonungen die wohl kürzeste: aus Blachers Komprimierung von Shakespeares Tragödienstoff zieht die Duisburger Neuinszenierung intensive Überzeugungskraft.

****1

Kunst als Widerstand: Der Kaiser von Atlantis in Düsseldorf

Alexandra Richter, 19th September

Die Deutsche Oper am Rhein inszeniert ein wichtiges Werk des in der NS-Zeit verfolgten Künstlers Viktor Ullmann.

****1

Duisburg’s Don Carlos rescued from a devastating deluge

Brian Angus, 17th May

What do you do when 80 tonnes of water flood your theatre, your sets and costumes? Rescue, reshape and present what you can. That’s what Deutsche Oper am Rhein have had to do in Duisburg.

***11

All the world's a stage: Xerxes as a comedy of backstage rivalry

Matthew Rye, 17th January

A revival of Stefan Herheim's production of Handel's Xerxes in Düsseldorf makes for a rip-roaring evening of theatrical comedy.

****1

Plus de critiques...

Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).